Archive
“The Carnival’s Ended” (South Atlantic Blues)
My Dear Friends,
The end of Carnival, and the Sunday Morning that follows has ALWAYS had a powerfully melancholy effect on me. I wrote “The Carnival Is Ended” in 1965-66 and recorded if for the “South Atlantic Blues” album in 1967 (The wonderful Pan Man is the incomparable Victor Brady from St. Croix) The Album was released in 1968.
Today is again the day after Carnival and I know that I am not the only one feeling as I do. Consequently, and with all the love and empathy in the world, this is for you, this is for me, this is for us, this is for we. XOXOXO!
“The Carnival Is Ended”
A Thanksgiving with Tutsie, Foxy, Mighty Whitey and Captain Timmy Carstephen.
BOOK 4. A Thanksgiving with “Tutsie, Foxy, Mighty Whitey, and Captain Timmy”
(On Thanksgiving Day 2009, Tuts and Tim and Nicky and I took a little trip together up to Jos Van Dyke to see the Fox. We were talking with him and Tessa about doing a three-man concert there featuring Ruben, Nicky and Myself, that now sadly will never be. In this Thanksgiving post, I‘ve tried to capture some of what was so wonderful about that time together.)
From “Book 4. A Little Trip To Jos Van Dyke”…
Today is Thanksgiving and we will pass it it in a small sail boat called “Stargazer” with Tuts, Captain Timmy Carstephen, Nicky “Mighty Whitey” Russel and The “First lady of ALL The Virgins” The Good Lady Delia, ( of St. Thomas, Harlem, Haight Ashbury, and Tortola) We will be on our way to spend the day with our old friend “Sir Foxy”, (recently Knighted by The Queen Of England, honest) in Jos Van Dyke, in the British Virgin Islands.
We have been planning a trip to see our friend Philiciano Callwood aka “The Fox” aka Foxy. He has a beach front bar in Jos Van Dyke, that has become quite popular over the years. We are going up to see him about scheduling a concert. Tuts and Timmy and Nicky and I have each and all known him for many years. Tuts and I have known him the longest, in fact since we were all boys living in Bournefield in the 1950’s.. Philiciano (or Phillie as he was known then} was brought down from Jos Van Dyke to St. Thomas by his mother, who worked as a house keeper for Mrs. Creque and the three naughty Creque daughters.
They all lived in the huge pink Creque Mansion on the “Hidaway Road”. A Mansion large enough (people said) to contain both Heaven and Hell in equal measure, and according to he girls.. it certainly did.
That any of them survived the Creque Mansion is the kindest kind of miracle, and Foxy’s subsequent success may be proof positive that the long sufferin’ can earn and redeem good karma points. Knowing (and loving) the Creque girls as we do, Tuts and I can “vouchify and attest” that he earned ‘em, every one.
These many years later, we (and they) are all very happy for his good fortune. That good fortune includes falling in with the Lady Tessa, late of wildest Australia, who turned out to be his Ms, his match and his mate.
As I mentioned, our little group of travelers includes a lady who is also a legend in her own time, “Miss Delia” of St. Thomas, Harlem, Haight Ashbury and Tortola. Our little crew are all miraculous survivors.
We have been “adults” since childhood, which means our childhood lives were shot thorough with adult concerns and behaviors like “where are my cigarettes and where is my rum” and our adult lives shot through with the behaviors and of concerns of childhood, like ”where are my cigarettes and where is my rum” (while Tuts and I got clean and sober long ago or we would be long gone, recovery doesn’t change the past or the depth and longevity of the connection between and among kindred spirits)
We are intending to sail up to “The Foxes Tamarind” on Timmy’s 28 foot sail boat “The Star Gazer” Timmy (I should call him “Captain Timmy,” he’s had his Captain’s papers since he was 18) has been sailing these waters since he was a child. First on his family’s beautiful 48 foot, black hulled Ketch “The Shellback” and then on the mighty “Maverick” certainly one of the most beautiful awe and dream inspiring sailing ships to ever grace the harbor at Charlotte Amalia.
One of my very earliest songs was about the Maverick.
“Maverick Sailing On the tide
Maverick where are you bound tonight
With new born child below, blow ye winds oh blow
Keep them safe from rock and wave and blow ye winds oh blow
Maverick, take me for a ride
Maverick, I need a place to hide
From things I should not know, Blow ye winds oh blow
Keep us safe from rock and wave, and take us where we want to go”
We are all children of “Trader Dan’s” a St. Thomas, waterfront bar that drew and welcomed one and all, (including school children in our two-tone uniforms and empty book straps).
There was no minimum drinking age in the Islands in those days (I had been buying rum on credit at the local shops for my mother and stepfathers, since I was six) and those of us with a predilection, or as the recovery materials put it “a predisposition to alcoholism” were blindly (no pun, I mean it) demonstrating what early onset familial (genetic) alcoholism looks and sounds (and feels) like. We were having the time of our lives.
As I’ve said, that any one of us survived (many, maybe most, didn’t) is really quite unexpected, but here we are sailing out of the lagoon, and east to Jos Van Dyke. We have all made this trip in many a vessel over the years.
One trip found Tim and Tuts and I in an ocean racing Donzi with my little twins Lelia and Archie, and their beautiful Mother Annie. We stopped at Sandy Cay” on the way up that day, and had to swim ashore with the little ones. Archie rode on Tut’s back like the Ginge bread man, and Twinkle rode on mine (yes, yes, they were wearing their little life vests) still it was so exciting for them that they have never forgotten, (their Mother has likely never forgotten either), What a beautiful and exciting windblown day that was, and what a beautiful and calming day this is, as we sail on Timmy’s little “Star Gazer”.
The sea breeze is extraordinary; it’s coming down through (Sir Francis) Drake’s Passage and across Pillsbury sound bringing the coolest freshest air imaginable. Its way too easy to forget how good it feels head to toe, body and soul, to sail these waters and to sip this sweet sweet breeze…
Tuts is talking like he’s having a flashback to the swim in which he became the first native Virgin Islander in known history to swim from St. Thomas to St John.
“Look, look” he says, there’s the two poles on St. Thomas that I saw from the tip top of the giant wave, and there is the undersea cables that I told you about! And look, look how the current is trying to sweep everything southwest; out of the sound and into the sea, “De nex stop out dey is New Orleans m’boy, Wha? Not me again meson, not me again!” “But Tuts,” somebody says, “dem boy sae you ‘fraid!, an das why yu ain’ gon do it again, dem boy sae yu ‘fraid man, yu ‘fraid!
“Oy fraid? Oy fraid? Yu damn right ah ‘fraid”, he says indignantly, “Who ain’ fraid a out dey, schipid in dey ass! Meson, yu don know dey got Shak out here big like de Bismark? Me bouy, de shak dem so big yu cou drive a safari truck on dem, in fact if yu wan tu know de whole trut, das de onliest way I mek it to Sain John.
Off to the left are the beautiful gold and green islands of Thatch Key, then Congo and Luango. We see the remains of the old great house of the plantation on Luango, where the white overseer was dispatched by freedom seeking slaves in the first moments of the St. John uprising of 1733.
Beyond the keys, to the North and East is Jos’ Van Dyke. An Island named after a Dutch Pirate Captain but settled by the Quakers and part of the British Virgins. When the English renounced slavery in 1833, the Quakers on Jos’ gave the land to the people that they had held in bondage there.
The Danes abolished slavery in 1849 consequently slaves in St. John were always trying to find their way to Jos Van Dyke and Tortola and freedom. In fact there is a huge iron sugar cane boiling kettle on the sand in Jos’ that a St. John slave was able put his wife and children into, and sail (or row) them safely all the way to Jos Van Dyke and freedom. When I first came up to see the fox in the sixties, the iron kettle was still on the beach.
We slide up to a new concrete wharf and head for the old wooden customs office only, now it’s a new concrete customs office, where we discover that the gentle portly gentleman who had manned the post since salt met water, had been called away to work the customs house at the Pearly Gates.
As Delia and the current customs gent negotiated, I spotted our friend Ruben Chinnery sitting at a table under the trees in front of a little beach side café, We have all known Ruben for at least forty five years, and Tuts and I for closer to fifty, back then, Tuts and Ruben and I had a little “Band” that knocked the living hell out of “Perfidia” I was the singing Sax man, Tuts played the Trumpet and Ruben strangled the guitar til’ it squeaked for mercy. Good lord we loved to play that song. it was also the only one we could play. Perfidia and nothing but Perfidia.
We have jammed together at Foxy’s many times since then, and we are here today to see about setting up a gig in which Ruben, Nicky, (Mighty Whitey) and I would be playing together all day long (maybe three sets each and one or two super long jams)
After speaking with Tessa and The Fox, it’s on. We will decide on the date at a future time. That done, we socialize… hug and smooch and then…we head back down Pillsbury Sound.
Between little St. James and the entrance to the Lagoon, Timmy (the Captain of the little ship) cuts the engine and announces that we aren’t going any further until he hears a few specific tunes. The mighty fine fellow hands me my guitar and says “The first one is “Mademoiselle”.
The boat is rocking like crazy and I am sitting on the roof of the cabin, so I jam a foot against a stanchion and the other against the life lines and, once properly “jammed”, I sing my friggin’ heart out. It isn’t everyday that tough, and weathered, beaten but not bowed, hombres honor me in this way. I am really touched that my lifelong tough guy compadres feel this way about my music, and I will fall overboard and drown, guitar and all before I will disappoint them.
Here’s a recent “LIVE” recording of Mademoiselle..
“The Carnival’s Ended” (South Atlantic Blues)
My Dear Friends,
The end of Carnival, and the Sunday Morning that follows has ALWAYS had a powerfully melancholy effect on me. I wrote “The Carnival Is Ended” in 1965-66 and recorded if for the “South Atlantic Blues” album in 1967 (The wonderful Pan Man is the incomparable Victor Brady from St. Croix) The Album was released in 1968.
Today is again the day after Carnival and I know that I am not the only one feeling as I do. Consequently, and with all the love and empathy in the world, this is for you, this is for me, this is for us, this is for we.
P.S. “South Atlantic Blues” is scheduled for World Wide Re-Release in November 2015. Please look for it. XOXOXO!
“The Carnival Is Ended”
“When Buckra De Paehae Went Tu Go Tu De Stats”
A familiar setting!! It’s My Birthday..Birthday present to YOU!!
“When Buckra De Paehae Went Tu Go Tu De Stats”
Here’s one for Bite Size and the “All She Wants To Do Is Dance” Group.
From the Live Album “SHAKE A BUM” by Scott Fagan And The MAAC Island Band lilfish records, St. Thomas Virgin Islands
“SCOTT FAGAN And The MAAC Island Band” In CONCERT One Night Only HERSHEY AREA PLAYHOUSE, Hershey PA. August 3rd 2013, 7:00 PM
“SCOTT FAGAN And The MAAC Island Band” IN CONCERT One Night Only..THE HERSHEY AREA PLAYHOUSE, 830 Cherry Dr., Hershey, PA. August 3rd , 7:00pm -CALL Box Office for Ticket Information: 717.533.8525
Scott Fagan (Singer/Songwriter) has been an international recording artist since he left high school in St. Thomas Virgin Islands to sign with Columbia Records in 1964. Some reviews..Cashbox Magazine: Spinal Tap melodies…His range is phenomenal. Billboard: “A Poet”. William Krasilovsky, Author, THIS BUSINESS OF MUSIC, l & ll: “Scott Fagan is a genius. I’ll certify that.” The MAAC ISLAND BAND is: Rafael “El Jefe” Martinez, (El Congero) From Hormigueros, Puerto Rico, he has been a “Congero” for over 25 years. Drew Washington, The BASS Man of Choice for the MAAC ISLAND BAND. Has played at the highest levels, for over 30 Years. Tim Griesemer, (El Maestro) Well known for his extraordinary gifts as a drummer. He is a master of percussion. Barbara Vajda, A Steelton guitar Goddess with a long history as a rocker. After a hiatus to raise little ones, the Goddess is back with Scott Fagan and The MAAC Island Band. Benny Danner, (El Estudeante) Percussion plus….Gary Smith, (El Nuevo) Back Ground Vocals and Percussion. Visit our website @ www.scottfaganandthemaacislandband.com Listen to our latest single “Sure has been Good Loving You Baby” @ http://www.youtube.com check out our latest album @ www.10greatsongsongsinsearchofanaudience.com CONTACT INFO: Tim Griesemer, 717.439.1919 or Scott Fagan, 717.592.0853
“SCOTT FAGAN And The MAAC Island Band” In CONCERT One Night Only HERSHEY AREA PLAYHOUSE, Hershey PA. August 3rd 2013, 7:00 PM
“SCOTT FAGAN And The MAAC Island Band” IN CONCERT One Night Only..THE HERSHEY AREA PLAYHOUSE, 830 Cherry Dr., Hershey, PA. August 3rd , 7:00pm -CALL Box Office for Ticket Information: 717.533.8525
Scott Fagan (Singer/Songwriter) has been an international recording artist since he left high school in St. Thomas Virgin Islands to sign with Columbia Records in 1964. Some reviews..Cashbox Magazine: Spinal Tap melodies…His range is phenomenal. Billboard: “A Poet”. William Krasilovsky, Author, THIS BUSINESS OF MUSIC, l & ll: “Scott Fagan is a genius. I’ll certify that.” The MAAC ISLAND BAND is: Rafael “El Jefe” Martinez, (El Congero) From Hormigueros, Puerto Rico, he has been a “Congero” for over 25 years. Drew Washington, The BASS Man of Choice for the MAAC ISLAND BAND. Has played at the highest levels, for over 30 Years. Tim Griesemer, (El Maestro) Well known for his extraordinary gifts as a drummer. He is a master of percussion. Barbara Vajda, A Steelton guitar Goddess with a long history as a rocker. After a hiatus to raise little ones, the Goddess is back with Scott Fagan and The MAAC Island Band. Benny Danner, (El Estudeante) Percussion plus….Gary Smith, (El Nuevo) Back Ground Vocals and Percussion. Visit our website @ www.scottfaganandthemaacislandband.com Listen to our latest single “Sure has been Good Loving You Baby” @ http://www.youtube.com check out our latest album @ www.10greatsongsongsinsearchofanaudience.com CONTACT INFO: Tim Griesemer, 717.439.1919 or Scott Fagan, 717.592.0853
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BOOK 4. A Thanksgiving with “Tutsie, Foxy, Mighty Whitey, and Captain Timmy”
(On Thanksgiving Day 2009, Tuts and Tim and Nicky and I took a little trip together up to Jos Van Dyke to see the Fox. We were talking with him and Tessa about doing a three-man concert there featuring Ruben, Nicky and Myself, that now sadly will never be. In this Thanksgiving post, I‘ve tried to capture some of what was so wonderful about that time together.)
From “Book 4. A Little Trip To Jos Van Dyke”…
Today is Thanksgiving and we will pass it it in a small sail boat called “Stargazer” with Tuts, Captain Timmy Carstephen, Nicky “Mighty Whitey” Russel and The “First lady of ALL The Virgins” The Good Lady Delia, ( of St. Thomas, Harlem, Haight Ashbury, and Tortola) We will be on our way to spend the day with our old friend “Sir Foxy”, (recently Knighted by The Queen Of England, honest) in Jos Van Dyke, in the British Virgin Islands.
We have been planning a trip to see our friend Philiciano Callwood aka “The Fox” aka Foxy. He has a beach front bar in Jos Van Dyke, that has become quite popular over the years. We are going up to see him about scheduling a concert. Tuts and Timmy and Nicky and I have each and all known him for many years. Tuts and I have known him the longest, in fact since we were all boys living in Bournefield in the 1950’s.. Philiciano (or Phillie as he was known then} was brought down from Jos Van Dyke to St. Thomas by his mother, who worked as a house keeper for Mrs. Creque and the three naughty Creque daughters.
They all lived in the huge pink Creque Mansion on the “Hidaway Road”. A Mansion large enough (people said) to contain both Heaven and Hell in equal measure, and according to he girls.. it certainly did.
That any of them survived the Creque Mansion is the kindest kind of miracle, and Foxy’s subsequent success may be proof positive that the long sufferin’ can earn and redeem good karma points. Knowing (and loving) the Creque girls as we do, Tuts and I can “vouchify and attest” that he earned ‘em, every one.
These many years later, we (and they) are all very happy for his good fortune. That good fortune includes falling in with the Lady Tessa, late of wildest Australia, who turned out to be his Ms, his match and his mate.
As I mentioned, our little group of travelers includes a lady who is also a legend in her own time, “Miss Delia” of St. Thomas, Harlem, Haight Ashbury and Tortola. Our little crew are all miraculous survivors.
We have been “adults” since childhood, which means our childhood lives were shot thorough with adult concerns and behaviors like “where are my cigarettes and where is my rum” and our adult lives shot through with the behaviors and of concerns of childhood, like ”where are my cigarettes and where is my rum” (while Tuts and I got clean and sober long ago or we would be long gone, recovery doesn’t change the past or the depth and longevity of the connection between and among kindred spirits)
We are intending to sail up to “The Foxes Tamarind” on Timmy’s 28 foot sail boat “The Star Gazer” Timmy (I should call him “Captain Timmy,” he’s had his Captain’s papers since he was 18) has been sailing these waters since he was a child. First on his family’s beautiful 48 foot, black hulled Ketch “The Shellback” and then on the mighty “Maverick” certainly one of the most beautiful awe and dream inspiring sailing ships to ever grace the harbor at Charlotte Amalia.
One of my very earliest songs was about the Maverick.
“Maverick Sailing On the tide
Maverick where are you bound tonight
With new born child below, blow ye winds oh blow
Keep them safe from rock and wave and blow ye winds oh blow
Maverick, take me for a ride
Maverick, I need a place to hide
From things I should not know, Blow ye winds oh blow
Keep us safe from rock and wave, and take us where we want to go”
We are all children of “Trader Dan’s” a St. Thomas, waterfront bar that drew and welcomed one and all, (including school children in our two-tone uniforms and empty book straps).
There was no minimum drinking age in the Islands in those days (I had been buying rum on credit at the local shops for my mother and stepfathers, since I was six) and those of us with a predilection, or as the recovery materials put it “a predisposition to alcoholism” were blindly (no pun, I mean it) demonstrating what early onset familial (genetic) alcoholism looks and sounds (and feels) like. We were having the time of our lives.
As I’ve said, that any one of us survived (many, maybe most, didn’t) is really quite unexpected, but here we are sailing out of the lagoon, and east to Jos Van Dyke. We have all made this trip in many a vessel over the years.
One trip found Tim and Tuts and I in an ocean racing Donzi with my little twins Lelia and Archie, and their beautiful Mother Annie. We stopped at Sandy Cay” on the way up that day, and had to swim ashore with the little ones. Archie rode on Tut’s back like the Ginge bread man, and Twinkle rode on mine (yes, yes, they were wearing their little life vests) still it was so exciting for them that they have never forgotten, (their Mother has likely never forgotten either), What a beautiful and exciting windblown day that was, and what a beautiful and calming day this is, as we sail on Timmy’s little “Star Gazer”.
The sea breeze is extraordinary; it’s coming down through (Sir Francis) Drake’s Passage and across Pillsbury sound bringing the coolest freshest air imaginable. Its way too easy to forget how good it feels head to toe, body and soul, to sail these waters and to sip this sweet sweet breeze…
Tuts is talking like he’s having a flashback to the swim in which he became the first native Virgin Islander in known history to swim from St. Thomas to St John.
“Look, look” he says, there’s the two poles on St. Thomas that I saw from the tip top of the giant wave, and there is the undersea cables that I told you about! And look, look how the current is trying to sweep everything southwest; out of the sound and into the sea, “De nex stop out dey is New Orleans m’boy, Wha? Not me again meson, not me again!” “But Tuts,” somebody says, “dem boy sae you ‘fraid!, an das why yu ain’ gon do it again, dem boy sae yu ‘fraid man, yu ‘fraid!
“Oy fraid? Oy fraid? Yu damn right ah ‘fraid”, he says indignantly, “Who ain’ fraid a out dey, schipid in dey ass! Meson, yu don know dey got Shak out here big like de Bismark? Me bouy, de shak dem so big yu cou drive a safari truck on dem, in fact if yu wan tu know de whole trut, das de onliest way I mek it to Sain John.
Off to the left are the beautiful gold and green islands of Thatch Key, then Congo and Luango. We see the remains of the old great house of the plantation on Luango, where the white overseer was dispatched by freedom seeking slaves in the first moments of the St. John uprising of 1733.
Beyond the keys, to the North and East is Jos’ Van Dyke. An Island named after a Dutch Pirate Captain but settled by the Quakers and part of the British Virgins. When the English renounced slavery in 1833, the Quakers on Jos’ gave the land to the people that they had held in bondage there.
The Danes abolished slavery in 1849 consequently slaves in St. John were always trying to find their way to Jos Van Dyke and Tortola and freedom. In fact there is a huge iron sugar cane boiling kettle on the sand in Jos’ that a St. John slave was able put his wife and children into, and sail (or row) them safely all the way to Jos Van Dyke and freedom. When I first came up to see the fox in the sixties, the iron kettle was still on the beach.
We slide up to a new concrete wharf and head for the old wooden customs office only, now it’s a new concrete customs office, where we discover that the gentle portly gentleman who had manned the post since salt met water, had been called away to work the customs house at the Pearly Gates.
As Delia and the current customs gent negotiated, I spotted our friend Ruben Chinnery sitting at a table under the trees in front of a little beach side café, We have all known Ruben for at least forty five years, and Tuts and I for closer to fifty, back then, Tuts and Ruben and I had a little “Band” that knocked the living hell out of “Perfidia” I was the singing Sax man, Tuts played the Trumpet and Ruben strangled the guitar til’ it squeaked for mercy. Good lord we loved to play that song. it was also the only one we could play. Perfidia and nothing but Perfidia.
We have jammed together at Foxy’s many times since then, and we are here today to see about setting up a gig in which Ruben, Nicky, (Mighty Whitey) and I would be playing together all day long (maybe three sets each and one or two super long jams)
After speaking with Tessa and The Fox, it’s on. We will decide on the date at a future time. That done, we socialize… hug and smooch and then…we head back down Pillsbury Sound.
Between little St. James and the entrance to the Lagoon, Timmy (the Captain of the little ship) cuts the engine and announces that we aren’t going any further until he hears a few specific tunes. The mighty fine fellow hands me my guitar and says “The first one is “Mademoiselle”.
The boat is rocking like crazy and I am sitting on the roof of the cabin, so I jam a foot against a stanchion and the other against the life lines and, once properly “jammed”, I sing my friggin’ heart out. It isn’t everyday that tough, and weathered, beaten but not bowed, hombres honor me in this way. I am really touched that my lifelong tough guy compadres feel this way about my music, and I will fall overboard and drown, guitar and all before I will disappoint them.
Here’s a recent “LIVE” recording of Mademoiselle..
Book 4. “LIVE” Captain Creole, With Mighty Whitey Dedication
Book 4. “LIVE” Captain Creole, With Mighty Whitey Dedication…
I’ve loved Nicky ever since he showed up as an eager, inquisitive, freckle faced kid in an Anglican school uniform, some time in the early sixties. He had a great spirit and a great big heart even then. Nicky, aka Mighty Whitey, offered me the sincerest sort of complement through the years by doing many of my original songs, including La Biega Carousel/Tutsie, Lord Cherrigo Sad, Archipelago Man, and Captain Creole.
I will always miss his laughing eyes and his sense of adventure, but most of all, his camaraderie. We were comrades in a very select fraternity.
The dedication verse is now part of Captain Creole, and touches me with the kind of hopeful joy that Nicky embodied, each and every time I sing the song. My wish that it may have a similar effect on those of you that feel the way I do, about our friend “The Mighty Whitey” Nicky Russel.
CAPTAIN CREOLE
(Words And Music, Scott Fagan, ASCAP)
The word spread through The Virgins, the Old Creole was dead He died in the night of the full moon light, in a sword fight, in his bed, Some say he was crazy, he had a rum dream in his head But I will tell you, in his words, what Captain Creole said…
He said “Old Pirates never die dry your eyes we don’t ever die, Old Pirates never die, they just sail away”
The Dancing Senoritas, the Ghosts of Buried Gold, The German and The African,that battled in his soul,The Jolly Jolly Rodger, The Treasure Ships of Spain, Called out to him and bid him come… back to The Spanish Main
Because “Old Pirates never die, dry your eyes they don’t ever die, Old Pirates never die, they just sail away”
The word spread through The Virgins, Like the ringing of an old ships bell, The Preacher turned to Heaven, but most folks bet on Hell. The Old Creole was sinking, the Old Creole was gone, And we cried in the light of the full moon night, Whispering his song
He said “Old Pirates never die, dry your eyes they don’t ever die, Old Pirates never die, they just sail away”
RECITATION: THIS ONE IS DEDICATED NOT ONLY TO CAPTAIN CREOLE HIMSELF, THE LATE GREAT CALWIN MARTIN MOOLINAR, BUT TO OUR BEAUTIFUL FRIEND THE MIGHTY WHITEY, NICKY RUSSEL, WHO SANG THIS SONG SOO WELL AND CALLED IT HIS FAVORITE OF THEM ALL. GOOD WINDS, GOOD FRIENDS, AND GOD SPEED …FOREVER MORE”
Old Pirates never die, dry your eyes we don’t ever die, Old Pirates never die, they just sail awayyyyyy”
The recording is from the current “Scott Fagan and The MAAC Island Band” LIVE CD “Shake a Bum” found through the link below. www.thecollectedworksofscottfagan.com
Book 1. En Nueva York 57-58 Continued…And Book 4. In Anticipation Of Nicky’s Memorial, July 18th, Magen’s Bay.
Book 1. En Nueva York 57-58 Continued…
It was the time of “Little Bitty Pretty One, “Wake Up Lil’ Susie”, “You Send Me”, “Honey Comb”, “That’ll Be The Day”, “Rockin’ Robin”, Don Larsen’s perfect game, Sputnik, and The Asiatic Flu. All of which made a big and lasting impression on me.
Years later I would spend two weeks in a tour bus with the Great Bobby Day (“Little Bitty Pretty One” and “Rockin’ Robin”) crisscrossing the US from Burlington Iowa, to Daytona Beach Fla, on a tour called the “Thirtieth Anniversary Of Rock N Roll”. Bobby Day was style and grace, talent and kindness personified. He was every bit as smooth, graceful and exciting as his tunes.
The Everly Brothers big hit “Wake Up Little Susie” was one of, if not the first song in which I was consciously aware of “the writer” inserting a “twist” and intentionally shaping the story line. I had a sort of moment of objective “ah ha” clarity (and believe me it only lasted a moment) before I fell back into full on non-thinking subjective acceptance of the idea that “all the singers were for real, and all their songs were “true for true.”
Years later when my manager Doc Pomus, began teaching me how things really worked i.e. How a song was written, how a session was produced, how a record was made, what a Music Publisher did, how Elvis got co-writing credits on Otis Blackwell’s songs, etc I was quite disappointed and very much upset and disillusioned.
I much preferred the illusion that the process was somehow magically organic, as if the song “emerged” from the singer while the joy and groove of the moment dictated the arrangement and the music played.
I was really disappointed with the truth. I felt as if something wonderful and life sustaining had been taken away. Of course I can now look back and (in knowledgeable company,) snerk aloud at what a silly and foolish boy I was, but the truth is I am still more he that any completely grown up me.
The facts are… When I performed (and still when I perform now) the emotion inherent in the moment DID dictate the arrangement (the timing, the rhythm, the dynamics and sometimes even the key) and as far as possible, the song DID emerge Which is why I seem unable to, hardly ever or maybe never play a tune exactly the same way twice.
In my first gig in the states after “getting off the boat” I was singing at a great folk club/coffee house called “The House Of Pegasus” in Fort Lauderdale.
The manager turned to the owner and said”listen he even does his own fade outs”. I remember wondering “why would he mention that?” and then “aren’t we supposed to do that?” that’s how we all did it in the Islands. We didn’t or I didn’t know that fade outs were artificial artifacts of studio recording rather than an expressive and soulful vocally managed dimuendo. Ahh… my dear friends, you could have filled a google parallel universes with what I didn’t know then, and possibly even more with what I don’t know now.
In any case, and lucky for me, it was a great season for song, Sputnik was the beginning of a painfully long, continuing and essential lesson in humility for “The Otherin” (and me too) and the freakin’ Asiatic Flu did everything but recycle me.
Often the “weakest” or most vulnerable part of the body is the first to go and in my case the weakest link resides in my poor frizzgaggled noggin.
When the fever (any fever) hits or comes upon me, my tenuous grip (on what foolish folk think is the one reality and I recognize as at most a temporary and consensual compromise) slips and I am gone. Replaced by a double babbling babushka balloon head, or “El Exehente Generalissimo Delirioso” aka the rock that wept, or the stone that squeaked and cried. Yezzer, I am vulnerable to fever.
In those days Gale and I had no beds, we slept instead on folding aluminum lounge chairs, the kind with woven plastic straps across an aluminum frame. When the Asiatic landed in my noggin, I was allowed or encouraged (or a combo of both) to move my recliner out of a shared bedroom and into a far corner of the living room, a sort of poor man’s quarantine, I s’ppose.
I spent two weeks out there in the ultra nunca never none land of delerioso serioso, babbling soliloquies all day waiting for Mud to come home from work.
It’s interesting to note that you can pile all the blankets in the world on top of the poor soul trying to sleep on such a device and they don’t and won’t do a bit of good. Until and unless you realize that the cold air is coming up from under, through and between the plastic straps. It’s a pitiful, follyishous thing. I confess that it took me an embarrassingly long and uncomfortable time to figger’ it out.
God Bless Mother, the music in the background and Red Candy Apples (the only thing I would eat) for getting me through.
Interestingly, the Spanish flu epidemic (a related strain of two generations earlier) is what we think killed our people in Scotland, leaving our father Frankie’s Mother Sally, “an orphan girl alone in the world” and encouraging her migration to New York, her career as a tragic bar room singer, the arms of the naughty, cowardly married Irish rascal that knocked her up ah..Ah mean got her with child and then denied the little lad for fear of “The wrath of wife”. Our little orphan girl Grand Mother Sally Travis, Died in turn in the TB wards on Welfare Island at 26, leaving little Frankie all but orphaned himself. Crikey, Yikes! it feels like I’m having a flu-mo delerioso flashboink!
Yes, It was the winter of our discontent, my poor finger was bent forward and taped to the palm of my hand (if that whompin’ girl had seen me, she would have whupped me silly), Gale, in a flurry of belonging longing or longing to belong, joined a cigarette smoking, garrison belted, black leather jacketed gang, she was now known by two separate noms de guerre “Mike” and “The Cat” and in a flushed rush of tough teenage solidarity forever, she shaved her eyebrows absolutely and completely, clean off.
Mud was ready to get herself and her sprung off sprung back to the Antilles, The Archipelago, The West Indies, The Islands of The West, The Caribees, The Spanish Main, The Blessed Virgins…Continues…
Book 4. In Anticipation of Nicky’s Memorial, July 18th, Magen’s Bay.
I nave been invited to sing at Nicky’s (The Mighty Whitey) memorial scheduled for July the 18th at Magens Bay, in St. Thomas. I am arranging to be there and prepared to sing my heart out. I am so happy that Tuts and Tim and Nicky and I recently took a little trip together up to Jos Van Dyke to see the Fox. We were talking with him and Tessa about doing a three man concert there featuring Ruben, Nicky and Myself. That sadly will never be.
Take a look at “A Little Trip To Jos Van Dyke” and “Continued..A Little Trip To Jos Van Dyke” (March 2010) In them, I‘ve tried to capture some of what was wonderful about the time together.