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Posts Tagged ‘SOON’

“I AM” and “Kings And Pawns”

Here are two singles (The A sides) that we did for EPIC Records in 1969-70. They were arranged by David Woods, a wonderful Guitar Player and arranger and an even more wonderful human being. The sessions were produced by Barry Kornfeld and Joe (Silvio Martinez) Kookoolis. The first one is “I AM” which Joe and I wrote after reading Richard Wright’s “The Man Who Cried I AM”. The second single was “Kings And Pawns”.
We were just about to go into production with our Rock Opera SOON, and were Brecht and Weill boys as you can hear in the content and sound (most particularly Kings And Pawns) of these recordings.
“I AM”

“Kings And Pawns”

I hope you’ll dig ’em!

Scott Fagan And The MAAC Island Band @ Gullifty’s Camp Hill PA.

December 7, 2013 Leave a comment

Scott Fagan And The MAAC Island Band @ Gullifty's Camp Hill PA.

Here’s a picture taken by our beautiful friend and Producer “Digital Dave” recently at Gullifty’s a great spot in Camp Hill Pa. Just behind and to my right is the great Bass Player “Bobby Fry JR”. It was a Wonderful Gig, I wish you had been there with us. We look forward to seeing you soon!

“SCOTT FAGAN And The MAAC Island Band” In CONCERT One Night Only HERSHEY AREA PLAYHOUSE, Hershey PA. August 3rd 2013, 7:00 PM

July 31, 2013 Leave a comment

 “SCOTT FAGAN And The MAAC Island Band” IN CONCERT One Night Only..THE HERSHEY AREA PLAYHOUSE, 830 Cherry Dr., Hershey, PA.  August 3rd , 7:00pm -CALL Box Office for Ticket Information: 717.533.8525

Scott Fagan and The MAAC Island Band

 Scott Fagan (Singer/Songwriter) has been an international recording artist since he left high school in St. Thomas Virgin Islands to sign with Columbia Records in 1964. Some reviews..Cashbox Magazine: Spinal Tap melodies…His range is phenomenal. Billboard: “A Poet”.  William Krasilovsky, Author, THIS BUSINESS OF MUSIC, l & ll: “Scott Fagan is a genius. I’ll certify that.” The MAAC ISLAND BAND is: Rafael “El Jefe” Martinez, (El Congero) From Hormigueros, Puerto Rico, he has been a “Congero” for over 25  years. Drew Washington, The BASS Man of Choice for the MAAC ISLAND BAND. Has played at the highest levels, for over 30 Years. Tim Griesemer, (El Maestro) Well known for his extraordinary gifts as a drummer. He is a master of percussion. Barbara Vajda, A Steelton guitar Goddess with a long history as a rocker. After a hiatus to raise little ones, the Goddess is back with Scott Fagan and The MAAC Island Band. Benny Danner, (El Estudeante) Percussion plus….Gary Smith, (El Nuevo) Back Ground Vocals and Percussion. Visit our website www.scottfaganandthemaacislandband.com  Listen to our latest singleSure has been Good Loving You Baby”  @ http://www.youtube.com   check out our latest album @ www.10greatsongsongsinsearchofanaudience.com   CONTACT INFO: Tim Griesemer, 717.439.1919 or Scott Fagan, 717.592.0853

 

 

In Honor Of Bastille Day! “Granfaddah Buckra An De Bo’Hog”

July 13, 2013 Leave a comment

 

GRAN FADDAH  BUCKRA AN DE BO’ HOG

Click The Link for the recording…

Granfaddah Buckra and the Bo’hog

Well… now it happen so dat Gran Faddah Buckra had de biggest, de schupides, de ugliest, de stinkis, de noisiest and de nastyiest Bo Hog  anybody had evah seen..

de Buckra liked to call him King George, and he loved dat Bo Hog like a Bruddah

One day de neighbor dem come sae…,

 “Buckra, you know Black people is good people, an de don mine if yu wan tu live wid dem an roun dem an side a dem oh undah neet a dem oh on top a dem or all in de middle an in between a dem  excepin’ when dat big  stinkin ugly’ bo’ hog of yours own “dat yu likes tu call King George”, du knock doun he pig pen “dat yu likes tu call he Castle of King George” an wha yu set up right in de middle a de yad, dat yu likes tu call “de Kingdom of King George” when dat Bo’ hog come  rootin up in every body business all ovah de yad, an throwin’ doun de cloths line wid all de chirren dem clean clothes on it, an rootin’ up an rollin up in all de woman dem clean panty, rootin up and rollng ovah doung  in de dutty mud an stinkin’ up de place an oinkin up de place an squealin up de place like de las pig outta hell an  wakin’ up all de people dem in de yad which of late has  happen almos every  single  night a de week an twice on Sunday,

 An Buckra, like we say, yu n kno black people is good people an we don mine, but Buckra OH God Buckra,.we tink is time you should go live among yu own kine”..

Me own kine? sae de Buckra, me own kine? Wha kina kine yu tink is me own kine?

De boldest of de Neighbah dem sae “we have contemplated and conclude you should go live doun in Cha Cha tuun”,

 “Cha Cha toun? Say de Buckra, Cha Cha Toun?”

Yes sah Buckra we have decided that you should go live  wid de res a dem Cha Cha doun in  Cha Cha toun”

“Yu tink oy is a Cha cha? Yu tink oy is a Cha Cha?

Yu loy,! Yu don kno I is a white man?

 I ain no Cha Cha, yu Muddah is a Cha Cha!”

 No no! de uddah Neighbah say, no no not a Cha Cha, St. Thomas ain ga no Cha Cha no more, We doesn use that expression no more, she mean tu sae you should go live wid de res a dem doun Carenage..ers doun in Carenage..

Carenage? Carenage? Who yu callin a Carenage?  yu Muddah is aa Carenage!

No No Mistah Buckra, das de Frenchie dem way tu say  French Toun, 

French Toun? French Toun? Yu tink I should go live in French Toun?

Yes sah Mistah Buckra, Everybody in de yad say yu is  a Balahoo..

Das why yu should go livewid de res a de balahoo dem  doun in Cha Cha, ah mean French ah mean Carenage Toun!

Anuddah neibah pipe in

“Yes man yu keeian see how it is?

Guana should live wid Guana,

Mongoose should live wid Mongoose,

Guava don grow onna Cenepe Tree and yu shluld be wid de res a de Frenchie, Doun in Frenchie Toun”

De Buckra hot now, he say Guana? Guana? Who yu callin a Guana? Yu muddah is a Guana!

Not a Guana, de neighbah sae, not a Guana, yu is a Frenchie.

“Oy? Oy? You schupid oh sumting? Yu damn forward  AN schupiddy Oy ain no Frenchie,  Oy Is a white man yu talking to… Any body cou see I is a white man,.. wha wrang wid yu, anybody cou see Buckra De Paehae is a white man!”

Buckra, (say de very darkest a de neighbah dem)  Buckra, If you is a white man I is a Frenchie, if yu is a white man, why we don hear yu Yankin, Buckra, why we don hear yu yankin?”

 “Yankin? Yankin? Sae de Buckra,  yu want tu hear me Yankin?”

“Ok den.

AYHMM  COME FRUM ALABAMA

WID A BANJO ON MAH KNEE, BUT NOW AH MMM JES A SAILOR IN THE U.S NAYVEE”

“Yu see wha ah tell yu? Yu see wha ah tell yu? De neighbah sae, he ain no white man, he ain no white man. He keeian yank! Bou he is a white man, a white man wha keeian Yank? Yu evah see a white man wha keeian yank? De Buckra ain no white man, he is nuttin’ but a mushay! Ah say Sen im doun French Town!

Oh yeah say de Buckra, Oh Yeah? Ok, den.. “AH KIN SEE AHMM A GONNA HALF TA TALK REAL SERIOUS TU YAALLS SO YALL’S GONNA KNOW DAT YU IS TALKIN’ WID A BIG TIME AN  IMPORTANT WHITE MAN WHEN YU IS DEALING WID DE BUCKRA. 

NAH AHM A GONNA TELL YA SUNPIN, AH DON’T LIKE DE WAY SOMEFOLKS IS BEEN HARASSIN’ AN HOG TIEIN’ MY GOOD  KING GEORGE THE PO’K SWINE WID YER CLOTHLINES EVERY NIGHT AN AHMM A GITTIN’ TIURD AH TELLIN YA SO,

BUT JUS SOS,  DERES NO HARD FEELINS,AN DIS DON’T BECOME SOME KINA  FUGE, AH RECKON AHMM A GONNA PACK UP MAH SADDLEBAGS AN TAKE MA HERD, AH MEAN MA BO’HOAWAWG,  AN MOSEY ON DOUN WEST.

Yes Yes, Buckra de neighbah dem say, yes yes das de bes ting Buckra,  mosey on doun west to Cha Cha toun… 

An Me Boy, das when de REAL trouble start!

Buckra and  de Bo’ Hog went straight doun to French Town an walk right in to de famous Normandy Bah, it wa round 11 a clock in de mawnin so naturally de place wa almos full. Half a de man dem wa teachin’   high school and mos a de legislatue was doun dare tu get a good head start on de day. Plus a few Sailah Man…

Now de Bucvkra had done make up he mine dat  he ain talking no mo Island talk, because he ain wan nobody to make no mo mistake bou de fac dat  is a white man through an through, from den on he Yankin straight,

Well… maybe a white man wid a lil someting else throw in in dare but all de same de Buckra say he  Yankin’ straight.

“WAL MA GOOD FRENCHIE FELLOW” he say to de lil bahman “ LEMME HAVE DE BES RED SODA DAT YOU GOT IN DE PLACE AN PLUS AH WANTS TU RENT A LIL HOUSE FROM Y’ALL DOUN IN DIS HEAH FRENCH TOWN”

Dat time a man name Magras, sae “ 

“Hey hey wait meson wait, Wha yu tink yu goin wid dat Bo hog?”Dis is de Narmandy Bah, only de bes a people cu come in in side a heah an we don deal wid no Bo Hag doun French Toun , We is fishah man doug here, RIDERS ON THE SEA!  You in de wrang place me boy, yu bettah go Nart side whea yu cou join up wid de res a dem RIDERS ON A DONKEY, an fuddah mo you ain no Frenchie!  You mubbee som kina doublebreed Daneman  an Putto Rician from Sain Croix!

All dis time three or fo drunken Sailah done feed King George de Bo Hog  mo dan a quart a rum and coke chase down wid bou five or six cold schafah beer me boy, and de Bo Hog  feelin’ it now. 

“OINK! OINK!  SQUEEE! SQUEEE! OINK! OINK!  SQUEEE! SQUEEE! Say de Bo Hag.

Den he take off trunning roung and roung in de Normandy Bah, tunnin up and knockin doun table a chair, lef and right, all ovah de place, dis time he change he tune he  bawling out “ (SQUEEYAW SQUEEYAW OINK OINK! SQUEEYAW! SQUEEYAW!   De nex ting yu know de Bo Hag stop an start tu swing and sawy. He open he eye dem wide wide and den… he vomit up a Green an Yellow tidal wave of de wus stinkin frat full a ole drawers and panty yu evah see.

De sailah dem killing dey self wid de laugh, but de Frenchie dem don tink it’s so funny ah tall. 

Well me boy, Buckra an de Bo Hag had tu haul dey “humpf” outta French Town man dey two a dem run straight an all de way up Demarara Gut through mo jackspania and catchankee… dem boy ain stop til de reach de very top a Crown  an some ways doun de uddah side.

An dats how Buckra and de Bo Hag fus arrive in Nelteburg.

But befo yu know it dat Bo Hog King George wa makin trouble an terrorizing de poor people dem out dare, rooting up in de peppah patch and knockin doun de cloths line.. well until he disappeared one day.

 Some people say King George de Bo’ Hog decided tu go St. John an is de Faddah and de Gran Faddah of mos a de wus a de wile pig an even some a de wile donkey dem   harassin de people dem up dare in St. John,

Som uddah people say dem Nart side French man finally get tu hol de Bo’ hog,, an had de biggis roas pig  of all time, evah dat Bastille Day doun Hull bay,

But mos of all a taxi man say he know fo a fac dat dem boy from the de Agricultural Station out Dorithia catch King George an dress him up like a touris an put him onna touris boat, an nobody didn’t  notice de difference between he an de res a dem til’ dey reach back Florida me boy.

I don kno about dat, but de pert I tell yu, is wha happen an das de trut de whole trut an nuttin but de trut… So help me Miss Gearty!

 

“SCOTT FAGAN And The MAAC Island Band” In CONCERT One Night Only HERSHEY AREA PLAYHOUSE, Hershey PA. August 3rd 2013, 7:00 PM

March 16, 2013 Leave a comment

 “SCOTT FAGAN And The MAAC Island Band” IN CONCERT One Night Only..THE HERSHEY AREA PLAYHOUSE, 830 Cherry Dr., Hershey, PA.  August 3rd , 7:00pm -CALL Box Office for Ticket Information: 717.533.8525

Scott Fagan and The MAAC Island Band

 Scott Fagan (Singer/Songwriter) has been an international recording artist since he left high school in St. Thomas Virgin Islands to sign with Columbia Records in 1964. Some reviews..Cashbox Magazine: Spinal Tap melodies…His range is phenomenal. Billboard: “A Poet”.  William Krasilovsky, Author, THIS BUSINESS OF MUSIC, l & ll: “Scott Fagan is a genius. I’ll certify that.” The MAAC ISLAND BAND is: Rafael “El Jefe” Martinez, (El Congero) From Hormigueros, Puerto Rico, he has been a “Congero” for over 25  years. Drew Washington, The BASS Man of Choice for the MAAC ISLAND BAND. Has played at the highest levels, for over 30 Years. Tim Griesemer, (El Maestro) Well known for his extraordinary gifts as a drummer. He is a master of percussion. Barbara Vajda, A Steelton guitar Goddess with a long history as a rocker. After a hiatus to raise little ones, the Goddess is back with Scott Fagan and The MAAC Island Band. Benny Danner, (El Estudeante) Percussion plus….Gary Smith, (El Nuevo) Back Ground Vocals and Percussion. Visit our website www.scottfaganandthemaacislandband.com  Listen to our latest singleSure has been Good Loving You Baby”  @ http://www.youtube.com   check out our latest album @ www.10greatsongsongsinsearchofanaudience.com   CONTACT INFO: Tim Griesemer, 717.439.1919 or Scott Fagan, 717.592.0853

 

 

Scott Fagan and The MAAC Island Band Release New Album “10 Great Songs In Search Of An Audience”

Book 4. Scott Fagan and The  MAAC Island Band, Release New Album “10 Great Songs In Search Of An Audience” www.10greatsongsinsearchofanaudience.com

That’s the headline, here’s the story…These songs (and many other songs of mine) have not found their audiences because, after all is said and done, I have not been successful at promoting myself  to the point where audiences have heard these songs and accepted or rejected them.  Complexly, It’s simply that simple.

For one reason and another I have always been inhibited about promoting myself. At this point that is unlikely to change. I am really relieved for my son Stephin (Merritt) that he has Claudia (Gonson) to help  him with that, because if  left entirely to the elements for self promotion that he inherited from his dear mudder dear and his fine pater fer’tater, the boy might be raising Chihuahuas. Not unlike his Grand Father the Great Frankie “Tic Tac Toe Trio” Galvin, who couldn’t promote himself either, and wound up in a skeeter riddled rust bucket trailer in “El Swampo De Los  Everglades” with little Beau “The Father Abraham of Chihuahuas”, and Beau’s multiple wifeys and Babble barking  nations of offspring.

So the point is.. this release, this album, is about the songs and not the dude that yodels ’em.  That is why it is titled as it is and why it is a mix of sessions here, there and everywhere. The trick is to get the songs to the people that will love them or leave them alone. Songs are born to have a life (and relationships) of their own, but they have to get out there in order for that to occur. My job (after  wrassling the thing out of the ether)  is to get the song heard by whatever means possible. I love these songs and have spent many years trying to get them to you. I’m going to try my very best to promote them. I sincerely hope they find you this time. That’s the story Morning Glory.

P.S. Oh yes!  Please go and give them a listen, and if you like one or more, then please pass them on www.10greatsongsinsearchofanaudience.com   Thank you, Scott Fagan 2012

Book 2 AKA Doc Pomus and Book 4 Whazzup on the flupdup.

May 19, 2012 1 comment

BOOK 2. AKA Doc Pomus

AKA Doc Pomus (a Docu-Biography about my mentor, manager and friend Doc Pomus) has just opened in Toronto. I hope that it will be a completely resounding success in every way.

Even thought the running time is said to be somewhat less than the minimum one thousand hours that it would take for any one of us to begin to communicate clearly what Doc and his work has ment in and to our lives. Still, I  can’t wait to see it, or more accurately for me, hear it.

That I am in a movie..ah..I mean film (You may recall my writing about it last year when I went to New York to be interviewed) about the good Doctor is a great honor. He was really a great soul and a great man. I feel very privileged not only to have  known him, but to have had his arm around me literally and figuratively for all these years. Turn the stove off, forgeddabout dinner and rush out to see AKA Doc Pomus immeadjitly.  You will dig Doc to bits.

Book 4 Whazzup on the flupadup.

Last week I was in St. Thomas to sing for my sweetheart “Sula” at her Birthday party. She turned 110. I have never had a 110 year old girlfriend before and I doubt I will ever again, so it behooves me to listen and learn. To look and love and listen and learn. And if I had done that more perfectly in the past, the girls from yesterday might  still be willing to smooch me on the noggin, fry me some corn flakes and lay me down to sleep. I didn’t, they don’t, but at least at last, I’ve learned to listen. And.. I like it.                                                                                                                                                                                     

We are still waiting for developments from Johnstown on the production of a concert version of my mighty Rock Opera “SOON”  www.scottfagan.com  and flopping about trying to find a way to finish recording our new album “10 Great Songs In Search Of An Audience” www.10greatsongsinsearchofanaudience.com  I am working my way back to the memwa? Its a question of time management. Thank you for looking in, and please go see AKA Doc Pomus quicko kasplitto. You will love Doc Pomus.

 

Book 2 SOON .3, and Book 4. Soon 3

July 31, 2011 1 comment

Book 2. SOON .3,

 As I said, I’m trying to stay focused on “SOON”.  And as I further said, the first time I saw the RITZ Theater (where SOON would open in January of 1971) was from my room at the Forrest Hotel.

At that time I had a south-facing room on the ninth floor; I was gazing out and noticed this odd, curiously configured roof top down below. Over time I realized that it was what a theater roof looks like from above. Years later, I would gaze at the same roof from below. Reaching across time to reconnect with the me that was, once upon a then.

I certainly felt much more at ease and at home looking out the window in (or from) what the Daily News, (in recounting the details of the murder most foul of a Barnum and Bailey circus clown), described as a “cheap west side hotel”.

In reality the Forrest Hotel was straight out of Damon Runyun, because Damon Runyun lived there and wrote there for many years. This or that reality is of course the past perfect invitation to investigate (if only for a moment) the question of relative reality, or the relative question of what (rather, which) reality is the real real deal. Dig? Capeche? Were we living in a world of Rock and Roll, or Guys and Dolls the reality show? 

The truth is both and.. thirty or countless more other parallel realities all scrunched into one.

To be continued …  

Book 4. Soon 3

I am riding on a train up over and through the Allegany Mountains on my way back to the Middletown collective (MAAC) from Johnstown, PA. Where I met the young impresario who intends to stage a concert production of SOON this coming 17th, 18th, and 19th of November. I’ve spent the last two days and nights thoroughly enjoying my self with he and his family. An all American mix of Mexican/Hungarian salt of the earth folks of the first order. I like him and them (Johnstown) very much and so we will proceed with the show.

 As I referenced earlier in the Memwa? The possibility, likelihood and indeed chronic evidentiary factorama of yours truly having FAE (Fetal Alcohol Effects) is quite good, almost guaranteed.

The dear Mudder dear is no longer here to ask about her consumption of Ethel in the nine long months starting with December 1944 and ending with me birthday on the 26th of August 1945, but based on what I know as a “once upon a moment” UCLA trained “little time big time” drug and Alcoholism wazam, the referenced likelihood is almost inescapable, and more to the point the symptoms (and their side-effects across the life areas) appear to be ever-present. 

If I ever get around to publishing my book “The New Paradigm for Alcoholism Addiction and Recovery” you will see what I’m talking about.

However, if you are too wise to wait, and  know it may be best look FAE  up now, then you will know that  I don’t do too well with working on more than one thing at a time, and right now I’m working on many more than one thing at a time and it appears that I will be for the foreseeable future. The question for anyone would be “how to do it”; the question for me is HUH?

 Apparently folks with FAE are blessed (well perhaps blessed isn’t exactly the right word, but you know what I mean) with the ability to go really really deep on a subject, but have extreme difficulty “changing sets” or, trying to move, pull ourselves out of, or shift our attention, from one subject to another.

For example, that is why, when I am concentrating on anything (like writing a song.. words OR music), I long ago learned that it is better, far better, if I do not try to cross the street, or be married etc.

I do love going deep beyond deep, but good Godawmighty it would be nice to be able to move comfortably and effectively from one thing to the next. Or just effectively.

That is why my Memwa? posts have begun to slow down as our gigging has picked up.

 Interesting gigs every one, for example, Yesterday, July 30th was National Dance Day. A concept promoted by the great tv dance show “So You Think You Can Dance”  along with producer Nigel Lithgow, and the great Congress Woman Eleanor Norton Holmes. We did an event, a National Dance Day Dance Party at a sky scraper housing development for seniors and the disabled (HOY Towers) in “Steelton” an honest to God, Steel Mill town (fallen on hard times like many another) in rusty post industrial Central Pennsylvania. We and they had the greatest time.

Here’s our recording of the theme of the day “Shake A Bum” and a photo of the good folks dancing.

"Shake A Bum" at National Dance Day!  Scott Fagan and The MAAC Island Band

National Dance Day! 2011 Steelton PA. Scott Fagan and The MAAC Island Band

However in addition to steady gigging, The SOON production and the Memwa? We have a Television show in development, two upcoming albums and “The Virgin Islands Songs” making its way towards a stage production inSt. Thomas.

This is not me complaining, it’s just that I am like a cross-eyed  juggler.

We are busy and I am grateful. I just wish that I were capable of being more effective, as many too many things not mentioned, like the record company and  music publishing, distribution and promotion and editing video and so on and on are not getting done in a timely manner.

I’m grateful a thousand times over for the grace and the real blessings that I have been given, the gift and the gifts.

I just wish that I could manage it, and them all, better.

Book 2. SOON .1

June 7, 2011 1 comment

Book 2.  SOON .1

 Not long ago (two to three months) a young man involved with a small theater Company in Johnstown, Pennsylvania, contacted me for permission to do a production of my Rock Opera “SOON”.

We have since exchanged a number of emails, and I have given him my permission to go forward. 

We will be meeting some time in the near future to go over the script and to discuss the specifics of the production in terms of content. He originally found (and downloaded) the Los Angeles Recordings of SOON and wondered if I had any leads on any recordings of the Broadway production. I told him that I might and would take a look.

It happens that fairly recently (with in the past two years) I had been contacted by someone from the mysterious shadow world of “Broadway Musical Collectors” who “knew someone” who “might know” someone who “knew someone” who “might know” someone who “had information’ that could lead to a copy of a bootlegged tape of SOON, illegally recorded one night in 1971, live at the RITZ Theater. 

Believe it or not, the trail ultimately led to the United States Library Of Congress, whose librarians and kind customer service people were good enough (for a substantial but not unreasonable fee) to make and send along a copy of the bootleg recording of my opera for me.

The thing arrived on two of the shiniest golden discs this side of prophecy, I gazed upon them in dazzled wonder and amazed-eye for a long while, then stuck  Act One in the player to see what I could hear.

I tore it out quickly when I heard the beginnings of  a cockamamie mishmash “overture” and realized in horror that the recording residing in The Library Of Congress, and representing SOON to the ages in perp..perp..perpetuity, had been made after I (along with my partner Joe (Jose Silvio Martinez) Kookoolis and co author and director Robert Greenwald) had been fired and barred from the theater.

Fired and barred as part of a sequence of preposterous events and changes designed by Producers Bruce Stark and Sagittarius Productions (Edgar Bronfman Sr.) along with new Director Gerald Freedman, “adapter” Martin Duberman and Musical Director Louis St. Louis to “commercialize SOON”.

 Attitudes, events and changes that in a most sublimy apex of reverberant self reverential irony, perfectly paralleled the very story that we were telling in SOON. Actually doing in the production of  SOON the exact kinds of actions that SOON had been written to illuminate and protest.

A story about how tragically and unnecessarily destructive the dollar driven establishment music business could be to artists, to their  music and to the society most affected by their music.  

I will write in much  greater detail about SOON and the super crazy reality surrounding it, in the course of this memwa? but for the moment..

 I put the CD back in and listening to the voices, was transported to a time (January 1971), and a place, (backstage at The Ritz Theater, 48th street, New York City). Peopled by young and  beautiful hopefilled faces.

We were a cast of casts, absolutely bursting with the brightest promise and potential. Marta Heflin, Peter Allen, Nell Carter, Vicki Sue Robinson, Dennis Belline, Richard Gere, Leata Galloway, Marian Ramsey, Joe Butler, Michael Jason, Pendelton Brown, Pamela Pentony, Tony Middleton, John C. Nelson and Singer Williams. I don’t think that there has ever been a cast with more promise on a Broadway Stage.

 The whole of it and us, now only young and beautiful voices floating in my head. Peter Allen, Nell Carter, Vicki Sue Robinson, Dennis Belline, and who knows how many others, gone from this world.

Listening to the recording was a seesaw tsunami of happiness and horror.

Happiness at the heart and vocal performances demonstrated by the performers as (I suspect) they realized the ship was sinking but, by God, taking full advantage of their moment to shine. 

Peter Allen doing “Soon”, Nell Carter doing “To Touch The Sky”, Marta Heflin’s rendition of  “Annie’s Thing”, Tony Middleton’s ”One More Time”, Marian Ramsey killing them with “On The Charts”, Vicki Sue Robinson all but stopping the show in her duet with Richard Gere in “What’s Gonna Happen To Me When I’m Fifty”, Leata Galloway stopping the show with “Child Of Sympathy” 

The horror at how “Music Music” “Country Store Living” “It Won’t Be Long” “In Your Hands” and the bulk of the score were misunderstood and massacred, the scaldingly embarrassing snippets of dialog, and “showbiz” restructuring of sequence and scene.

 Anyway…

Here is a copy of the note that I emailed to the young man in Johnstown yesterday.

June, 6, 2011

Dear Michael,                                                             

Here are the Broadway recordings along with the noise reduced L.A. Recordings.

I have just heard the B’way production for the first time in forty years.

As you may know, the director, Robert Greenwald and I were fired and barred from the theatre, and “entertainment” type changes were made to our script against our wishes. I have just been listening to those changes and frankly, I am extremely embarrassed by them. I am also upset by how wrong for our style of music Louis St.Louis (the Musical Director) was, our musical phrasing is very much out of synch,

I would not choose to have the Broadway recordings of SOON represent me and my work to any one any where. I am only sending them to you because they may be contextually helpful as we go forward.

Please do not draw upon Louis St. Louis’s musical phrasing or the cockamamie dialog Martin Duberman inserted as something to emulate or reproduce, as I have absolutely no interest in doing that

Louis St. Louis was wonderful and right for Grease, but very much wrong for SOON.

You and I will, script in hand, talk through SOON some time in the near future and absolutely arrive at the best possible iteration of SOON ever presented.

Michael Meketa’s Johnstown Production of SOON will be the best ever.

It would behoove us to make sure that it is recorded at the best quality available.  

Sincerely,

Scott Fagan

 To be continued…

 

Book 4. Virgin Islands Singer Scott Fagan to perform at The Brooklyn Waterfront Artists Coalition’s big “CONVERGENCE IN RED HOOK” on May 7th 2011

May 1, 2011 6 comments

 Here is The Press release for the upcoming NYC gig.. followed by the “Backstory attachment” to that press release, that folks got. It’s here because this sort of stuff is interesting, and necessary in this business.

I have added the Theme form “SOON” and The Theme From “The Virgin Islands Songs” You will find them at the very bottom of the page.

BWAC.org is a great venue and we very much enjoy our time there, come on down (or up as the case may be) if you are free.

For immediate Release:
 
Virgin Islands Singer Scott Fagan (Subject of Jasper Johns Lithograph “Scott Fagan Record”, Author and Lyricist of “SOON” the very first Rock Opera produced on Broadway, and Father of 2009 OBIE Winner and Magnetic Fields front man Stephin Merritt), is coming to New York to perform at The Brooklyn Waterfront Artists Coalition’s big Spring opening “CONVERGENCE IN RED HOOK” on May 7th 2011.
 
Scott Fagan and The MAAC Island Band, are currently promoting their LIVE Album “SHAKE A BUM” which includes selections from Scott’s new Musical “The Virgin Islands Songs”. Scott Fagan and The MAAC Island Band will perform three sets between 1 and 5:30 PM.
 
The Brooklyn Waterfront Artists Cooperative is located at 499 Vanbrunt Street, Brooklyn, NY. For Directions please visit bwac.org 
 
Please contact  Shari Brandt  717-944-1187 at the Middletown Area Arts Collective. www.middletownarts.com or scottfagan@lilfishrecords.com  
Thank you!

SCOTT FAGAN “De Real Ting Mon”

Scott who? Scott Fagan. Here’s the 411…

 Scott Fagan is a brilliant musician born in New York City and raised in the Virgin Islands.  This talented artist has a one of a kind sound with a Caribbeankick.  Scott has been an international recording artist since leaving Charlotte Amalie High School in 1964 to sign with Columbia Records. During that time he has released nine albums and multiple singles, in addition to writing and appearing in “SOON” the very first Rock Opera produced on Broadway!

 His Caribbean consciousness is manifested throughout his work. Scott’s musical innovations underlie the “Contemporary Caribbean” or “Caribilly” genre widely popularized by Jimmy Buffet, Kenny Chesney, and others.  His very first album, “South Atlantic Blues”, released in the summer of 1968, now recognized as a classic, inspired Jasper John’s lithographic series “Scott Fagan Record” part of the permanent collections of museums all over the world, including MOMA, The National Gallery, and The Tel Aviv.

Scott’s albums: “South Atlantic Blues”1968, “Many Sunny Places”1976, “Sandy the Bluenosed Reindeer”2000, “Buried Treasures, (The V.I Songs Vol. l)”2004, “Dreams Should Never Die” The V.I. Songs Vol. ll) 2005, ”SOON”2009, “The Virgin Islands Songs, The MUSICAL”2010, ”Buckra De Paehae” ( a spoken word Calypso Comedy album)2010, and most recently his LIVE album with The MAAC Island Band “Shake A Bum”2011, Can all be found at www.thecollectedworksofscottfagan.com

 Scott Fagan has spent 40 of the past 47 years, trying to revive his career after being “blacklisted” by the “old school” Music Business for his Rock Opera “SOON”.  Scott wrote “SOON” to bring attention to the “absurdity and cruelty of the music business, and its destructive effects on artists and society”.

Here’s what Martin Brookspan had to say:
“The tide of Rock musicals reaches its high water mark in SOON… an inventive, imaginative, brilliantly realized creation.”

Emory Lewis said:
“SOON is a hallelujah blessing, glorious music easily the best score of the season… I loved every rocking minute.”

And John Schubeck:
“Staggering shots of meaning. Dynamite in so many ways.”

In spite of reviews like these, and a cast which included Peter Allen, Richard Gere, Vickie Sue Robinson, Nell Carter, Marian Ramsey, and Leata Galloway, SOON was pulled the day after it opened.  Ironically, Scott’s son, Stephin Merritt of Magnetic Fields, Gothic Archie’s, The 666’s, and Future Bible Heroes fame, recently won the Obie award for his first musical “Coraline”. Quite a chip off the old block…

 So, where’s Scott Fagan now? He’s busy busy, gigging with the MAAC Island Band, promoting the LIVE album “Shake a Bum” and Scott’s own Calypso Comedy album “Buckra de Paehae”, keeping an eye on two of his musicals  in pre-production.  First is “The Virgin Island Songs”, scheduled to debut inSt. Thomas,Virgin Islands, and the other?? “SOON” scheduled for November, in Johnstown,Pennsylvania.  That’s right, “SOON” is back in production!

But wait, there’s more! You can catch Scott Fagan and the MAAC Island Band  live in New York on May 7th, 2011 (from 1-5:30 PM) at The Brooklyn Waterfront Artists Coalition’s big spring show “Convergence in Red Hookwww.bwac.org 

At The United Nations Dag Hammarskjold Plaza in New York’s Citywide Music Festival (Make Music New York) on June 21 st at 4:00PM, 

Or at Scott and the band’s stateside home base the Middletown Area Arts Collective (MAAC) (www.middletownarts.com) at 3 South Union Street in Middletown, PA.  (Contact Shari Brandt at 717-944-1187).Thank You!

The Theme from “SOON”

The Theme from “The Virgin Islands Songs”