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Book.4 When Buckra De Paehae Went To Go To De States
“When Buckra De Paehae Went To Go To De States”
Man one day I look around ana realize all me fren dem, every las one a alla dem boy, done gan to de states..an so I sae to me self, ah sae “Buckra you bettah go see wha goin on up in de states to see if yu want to join up wid dem up dae an become one a dem freshwater Yankee jus like de res a dem boy.”
Well me boy, de trouble start, when ah went down to de travel office to buy me plane ticket, De white woman sittin doun in dare sae “May I help yu?”Ah say yes Mum, ah wan to go to de states. De woman say, “where would you like to go?” Ah say, ah say, ah would likes to go to de states, de woman say fine, where do you want to go, Ah say wha wrang wid yu you keeyan undahstan English? Yu bettah don frig me up, Ah sae ah wants tu go tu the states S.T.A.T.S. de states, de states! Wha wrang wid yu? Is yu schupid o sumtin?
Wid dat de woman went in de back an come back out wid a big strang bighead jackass of a island man. He say..yu wan me bilge in yu ass fo yu? Wha yu come in here tu frigg up de people dem fa,.. yu bettah scat yu ass befo ah broke it up in splinters!
Wha? ah say wa? Yu kno who yu talking to like dat? Ah say I is a man wha come in here to pay Kole keash to go tu de states an yu going on like a jack ass wid me? Wha wrang wid yu, ah say ah wan to go tu de states, yu nevah heard a de place?
Jus den de woman squeaky lil voice pipe up from in de back, she sae “ask the Idiot where he wants to go to, you’ll see” So de Islan man say “Whey ‘tis yu wan tu go” Now de Buckra starting tu ge frigup, yu know ha ah mean?
How many times ah gat u tell dese schupiddy people whae it is ah wan tu go? Ah say ah wan to go tu de states! De man come up close close and he say “look yu schupid buckra, Don’t you know that there is more than one state in de states?” Ah say more dan one state? more dan one state? of course I kno dares more dan one state. wha wrang wid yu, yu tink I don kno about Englan and France? but I wan tu go see dem boy in de united state.
De woman in de back call out, “call the cops, Renwick, nobody can’t be that stupid”
Ah sae who de hell yu callin schupid.. is yu don’t know how to sell a plane ticket tu go to de states, Ahh yu cou kiss me royal red bate me boy, I gan frum here!
An wid dat ah leave ou de place, ana went straight ovah to de seaplane. De fus man wha ah see ovah dae ah sae, tell me something my good fellow, does ah yu know how to fin de states? De man sae of course, but dis plane goin Sain Croix, ah sae but if ah gon ge yu me good money tu go tu de states, yu can’t tun around de plane an go to de states? De man sae, wha wrang wid yu, yu drunk o something? Ah sae no man it too early fo dat, I only had bout tree or four..tu start off de day…de man sae “My dear fellow,.. yu bettah go down tu de airport and tell dem people whae yu wan tu go..ah tink dey gon know exactly wha to do fo yu.
So ah pick up me suitcase, ana wen doun de road lookin fo de airpoat, Boy when ah reach up tu de top a China Man Hill, ah cou see how de ting dem change up, almost alla China Man Hill,.. gan from China man Hill,
Ah stop a fellow ana say “Hey meson, Wha happen to de whole a doun de road, wha happen tu de China Man dem? whey all dey people dem fum Nisky gane?, An “OhGodee”, ah sae, look wha happen tu Sara Hill!
De whole a Sara Hill what was dare since de Island get belch up from de bottom of de deep blue sea, is gan, ah sae Tell me man, ah gotta know, wha goin on doun here?
De man sae, “No habla engles” Ah SaeWha? I mubbe gan Poto Rico.
When ah did finally arrive at whea de Harry S. Truman airport suppose tu be, ah see all kina ting, but what I don see is de Harry S. Truman airport,
Ah see a kina fatty woman livin in a smally smally lil house right in de middle a de road, de woman stannin up wid she hand out side de door beggin money from de car dem, an every onea dem stopping to ge she some, Ladee me boy, Oy ain nevah see noting like dat an look a joke, I ain even reach close to de states yet
But de ting wha ah keean see is de terminal, de big ol hangah place whey de steelban dem used to be bawlin blood for we cu dance an wuk up wid dem Puerto Rican Gurl when de come fo Carnival! Ah hol ah man ana sae “Hey, wha goin an here meson, wha dey hidin’ de airport?” He sae Abdoul Ab Salamm, Abdoul Ab Salamm..
De fatty woman sae, look ovah de hill man, look ovah de hill.
Lemme tell yu something, all I wan tu du is gemme plane ticket tu go tu de states tu see dem boy an fine out if I wantu join up wid de fresh watah yankee dem, but not only doan nobody know how tu sell a plane ticket tu de states, but now dey gan an change up de name and move de airport. Yu sure dis is dey way every body does get tu de states? Lard if is so had tu go, imagin how hard it mus be tu come back, wha yu tink?
Meson when ah finally reach dung, tu de place wha dey suppose tu be selling de ticket dem, ah sae “ah wan tu buy a plane ticket tu de states” de woman sae “Ok where are yu goin” Ah sae Oh lard don’t tell me dis is dat again, ah sae Ah wan tu go tu de states! Wha wrang wid alyu people, ah wan yu go tu de states! Den de woman sae, ok which state. Now dis is one Islan woman wha mussa had good states side training because das de fus time any body ask me dat question, ana wan yu know I were ready wid me ansah,
Ah sae ah wan tu go to de place wha name Miami Atlanta Florida New Yawk, because das whea alla dem boy is.
She sae I’m sorry, that’s impossible, there is no such place. I sae Yu lie, Yu Lie, Yu big bum ting yu, ah catch yu now, yu lie, das whea alaldem boy gan, wha wrang wid allyu crazy people, Ah sae, gimme me plane ticket an don frig me up no mo o I’ll broke off me foot in yu Batey!!
When she hear dat De woman eye dem open wide wide and she say “of course Mr. Buckra De Paehae, just one moment please, wait here, I know exactly who can help you. Ah sae now yu talking, dis is de way yu suppose tu treat a man who is all dress up an goin to de states.
Jus den two man hooks me up from behine, dey grab on tu de back a me pants an lif me up straight up in de air, me pants went up in me bum til ah had tu bawl out “Oh God Ah Dead, ah give up, ah give up! Den dey grab me han an me foot an thro me in de back like two hundred poun a wet sal fish.
All dis time all de touris dem laughing me boy, ana hear one a de chrerenn dem sae “Mommy whats the matter with that man?” De muddah sae “Nothin dear that’s just what too much rum and hot sun’ll do to ya, an thats exactly what’ll happen to your blasted Father if we don’t get ‘im back to Baltimore right away”
When De man dem thro me doun, de bigges one sae “C’mon now Buckrat boy, let’s hear some more of your noisy big lip about what you’re gonna do wid yer foot, an who your gonna do it to”
Ah sae Oh God, Oh God ah give up, ah give up, ah change me moine sah, ah change me moine, I ain want tu go tu de states, ah change me moine, ah wan tu go home.
Walll… De man sae “It’s too late fer that Buckrat, ya crazy little weasel, you’re goin ta Guantanamo wid the rest a dem terrorists.
Ah sae “Oh Godee Oh Godee!, Ah give up Sah Ah Give up Sah!
Man, ah had tu beg dem, an beg dem, an beg dem boy tu loose me, an when de finally lemme getaway, Lord me boy, ah pick up me suitcase an Iain stop runnin’ til ah pass Demarara.
Wen ah catch meself, ah sae “Buckra, It look like yu bettah tell one a dem boy in de states tu sen doun a ticket fo yu, if dey wan yu come up tu play fresh watah yankee wid dem.
An when dey sen doun me ticket, das how de Buckra finally get tu go tu de states,.. but das a whole uddah story meson, believe me..das a whole uddah story, Laa-dy, me bouy… whata trelele!
Book 1. Isla Grande #7, El Ultimo Trolley And Book 4. Juxtapositions…
Book 1. Isla Grande #7, El Ultimo Trolley
In the Dark Age just before Gale found our salvation in Rock and Roll, one day out of the blue our Pop or, the man we knew as “Frankie” showed up ah… came to visit. He peeked in on Howard, in bed with a bottle of Don Q, spoke “be-bop jargon” to Mother (Gale and I had some sort of linguistic flashback, we hadn’t heard “be bop” since we were babes in arms, all in all, considering the wild and varied verbilations that we sprang from and were steeped in, it’s wonderly that we speak any Angleish ‘tall. “Fee is uk and foo is ock mon! No?”
Frankie wasted no time in showing us how much fun that we’d been missing, Laughing, joking, singing, punch ball, stoop ball, stick ball. Hey ya want some ice cream? Sure, why not! He spent two days with us and when he left, we were so frigging turned inside out, bummed and depressed that it was beyond words. What the frig are adults thinking?
It wasn’t that Howard was a bad guy it’s just that he was chronically disabled by the rum, he was a drunk guy that stayed in bed drinking and throwing up, Mud scrambled all over the place juggling Howard, Little Larry (who was home from the hospital and sleeping in a drawer) Gale and me and whatever freelance typing jobs she could find in Puerto Rico for secretaries who don’t speak the language, and God help us, her own wants, needs and dreams.
I accept the possibility that I may have been somewhat pre-occupied with self at ten, nevertheless, I loved my Mudder and even I knew that this life was not what she had in mind when she and her beautiful twin sister Lea, skipped blithely away from the life they knew, to the Frangipangi scented trade winds, blue seas and blue skies of the Bonny Bongo Isles. Mud was a Jazz baby (in fact Baby was her nickname) and music was a central part of her heart and soul. Her most prized possession by far was a steamer trunk filled with her “Jazz baby” collection of 30’s, 40’s and early 50’s 78’s. This is Billie Holiday, Early Sarah Vaughan, Ella, Julie Christy, Dakota Staton, Billy Eckstein, Mr. Five by Five, Duke Ellington, Count Basie, Charlie Parker, Charlie Christian, Lester Young, Gerry Mulligan, Gale’s own God Father Dizzy Gillespie, and many many others.
To any hip music lover, the trunk was worth ten times its weight in gold. A local department store agreed and allowed her to use her collection as collateral for a loan, a loan which she eventually could not repay and one day in the dark ages they came and took Mother’s mother lode of music and happiness away.
I will never be able to explain to you what that means if you don’t already know, and if you know, you know.
I was not able to understand how Howard would allow that to happen. Why he didn’t stick up a Muelberia, or a Lechonirea, or ultra leverage heaven and hell somehow, someway, anyway, to get it back. That is until years later, in St. Thomas, all grown up and talking with him about music, he proudly announced to me that his favorite musical artist/singer of all time, was Edie Gorme.
Anyway, shortly after Frankie’s visit and the loss of Mother’s most centrally important possession, we lost the pad on Ashford Avenue and moved to a part of Santurce called Ocean Park.
Ocean Park was a “working class” neighborhood very light on anglish and very heavy on macho. And, to tell you the truth, (even though it was always maximo stressful to maintain) macho worked for me. Although I was significantly undersized and underweight, I could run and leap and field and throw and bat and all around play ball with the best. We were going to “Santa Terisita” (I had just started the sixth grade) and los Guapos (the tough guys) in the neighborhood were amazed and proud that “Ocean Park” had a “little Gringito” who seemed fearless and could and would catch “all the fuego” that they or anybody else could throw. Ocean Park had a little Guapito Gringito to call it’s own.
As a little white boy in the West Indies, my basic defense mechanism was an absolute commitment to death over dishonor, to dying rather than to be thought of and treated as less than. The boys from Ocean Park and I had good times playing ball in the school yard at Santa Teresita (where even though I was the smallest, I was one of very few who could hit the ball over the wall) and at a poetically named place that resides in my imagination still, like some perfect Spanish three word haiku “El Ultimo Trolley”.
This field of dreams was a sandlot large enough for a traditional baseball diamond, along the right field line was an actual old trolley car (the last trolley car in PR, or El Ultimo Trolley). Why a thing like that would stimulate such romantic feelings in me even as a boy, is a fine mystery. (My imaginings relating to it run more to Panama hats and Pan Am Clippers, than to baseball caps and the Yankee Clipper), in spite of the fact that it was the first place that I had ever actually played on a baseball diamond. I, up to that time had great and highly developed skills for alley ball or coconut trees in the middle ball or a sock with a rock in the middle ball, but…diamonds? Fortunately my skills as a stone throwing ragamuffin were transferable, and the baseball diamond was grooveland for me.
I had a great arm, (trained and fine tuned in St. Thomas “teefin” mangos by knocking them out of the tops of trees) so I was a Center fielder and a pitcher. (Frankie was a great pitcher too and tried out for the “New Yawk G’ints”, his dream of dreams was to be the boy in his poem “Now Pitching For New York!” (a poem unfortunately lost to the depredations and natural disassemblage of life and the things of life in beer can ridden rusty trailers on the skeeter riddled edge of the western Everglades). Were it not for Jazz, ball might have been Frankie’s thing, And were it not for “just around the corner Rock and Roll”, ball might have been my thing also.
Around that time Gale and I were put out of school for the family’s inability to pay the tuition. Mud tried kitchen table school but with the afore-mentioned set of responsibilities that she had, good old book larnin’ went the way of the wind.
Meanwhile, Shortly after Father’s visit, he sent us a smiling photograph of himself standing next to an almost new car with a beautiful Blonde woman and a brand new little baby in his arms. Gale and I felt pretty much completely abandoned.
A couple of things occurred to cheer things up, one was me smacking the neighborhood bully in the face so hard that he burst into tears, and the other was Howard finally landing the Civil Engineering job that had been the carrot that had brought us all to La Isla Grande two and a half years earlier, in the first place. Continued…..
Book 4. Juxtapositions…
Last night a young man brought a pristine copy of “SOUTH ATLANTIC BLUES” to the Saturday night gig at the Collective (The Middletown Area Arts Collective or MAAC), for me to sign. Digital Dave took an interesting photograph of the young gent and me holding the record between us and shaking hands.
What a frigging “Plur-iverse” of thought and emotion the occasion stimulates and unleashes in me.
The young man was interested in talking about what happened with “SOON” (My January 1971 Broadway produced Rock Opera and the backlash that it created in the music business towards my writing partner Joe and I) You can be sure that in time I will exhaust all there is to say about SOON, but in the meantime, “SOUTH ATLANTIC BLUES” in itself was a good illustration of how wide the chasm between “show” (meaning the art of show and the show of art) and “Business” was and is.
In 1967, Jerry Shoenbaum was the head of Verve-Forecast, the hottest “Folk-Rock” label in the world, My manager at the time, Herb Gart (who I had signed with in hopes of rubbing noses with his client Buffy Saint Marie,) shopped SOUTH ATLANTIC BLUES to Jerry, he loved it and was about to sign me and the album to Verve-Forecast, when ATCO (who wanted to get in on the Folk-Rock market), offered Jerry the presidency of ATCO and Bo-coup fazools if he would leave Verve and come there. Jerry said Ok, but I’m bringing Scott Fagan and “SOUTH ATLANTIC BLUES” along to be my first release on ATCO, so… while Jerry negotiated his deal, it was decided that I should go ahead and sign with ATCO, which I did. However, ATCO never came to terms with Jerry, Jerry Schoenbaum never signed with ATCO. And there I was. It happens that I loved ATCO because Ben E. King and The Drifters, who had been my favorites for years were there, but ATCO, basically Ahmed Ertigun, was not well inclined towards me, or my album (To Ahmed I was “the kid who sings with a lisp”), and on the other hand, I considered him a jiveass racist thief) and naturally, the new incoming head of ATCO Jerry Greenberg, (one of Ahmed’s protégés) was not at all inclined to elevate and promote Jerry Schoenbaum’s pet project. In short, “SOUTH ATLANTIC BLUES” got buried at ATCO.
Folks can argue the reletive merits and quality of the lisping, the songs and the recording back and forth all they want (and they do) but Jasper Johns discovered “SOUTH ATLANTIC BLUES” in a cutout bin, listened and fell in love with it. Jasper did a lithograph of the A Side of the album and immortalized it as “SCOTT FAGAN RECORD” a lithograph that wound up in the permanent collection of the National Gallery, MOMA, The Philadelphia Museum of Modern Art, The Israeli Museum in Tel Aviv, and many others, among them perhaps most ironically, the personal collection of Ahmed Ertigun himself.
In my view, “SOUTH ATLANTIC BLUES” is a good and interesting, first album or “record” by and of a sincere and fairly unusual artist at a particular time and place. The follow-up album was to have been the Rock Opera “SOON” (which we will finally be able to release this year, better a little late than never)
I am in it for the music, the impact that it may have for the good, and the hope for positive change in the lives of my little ones and the worlds that they live in. That’s how it was, that’s how it is and that’s how it will be…
Book 4. Zoom! and Book 1. Isla Grande.6
Book 4. Zoom!!
Zoom..We finished the first run of the new CD just in time for me to get to the airport and back to St. Thomas for the French Man’s Reef Concert, The concert is a fundraiser for COAST, the local affiliate of The National Council On Alcoholism and Drug Dependency. The event honors The Reverend Ray Joseph and local businessman and COAST Board member Ronnie Lockhart.
Zoom Zip Zoom
The need for recovery services is very acute in The Virgin Islands and is dramatically illustrated by the following bit of information (reported to me by Nancy Waite O’Brian former director of COAST and Clinical Director at The Betty Ford Center) from the National Council on Alcoholism and Drug Dependency: “The incidence of alcohol related deaths in Texas is twice tha of the other contiguous states, The incidence of alcohol related deaths in Alaska is twice that of Texas, and The incidence of alcohol related deaths in The U.S. Virgin Islands is twice that of Alaska.”
Zap…
In other words, The Virgin Islands have the highest incidence of alcohol related deaths under the American Flag, and possibly the least number of recovery support services under the American Flag as well. I am doing this fundraiser in an attempt to help COAST do something about that.
Zoom, When I get back to the states, we will do a CD release/Launch Party and focus on “The Virgin Islands Songs, The Musical, in Concert, and the single from the album, the new recording of “Surrender To The Sun” and.. Zoom, I am in St. Thomas. Tomorrow morning I start doing radio interviews to promote the Concert event.
Unfortunately, someone set the ticket price @ $75.00 per, which I’m afraid is way too high for most working people. In fact, I’m tempted to say “hey wait, if you are coming to see me, come and see me somewhere else at a price that you can afford”, but, as I am clearly the living embodiment of the “anti moolah” and obviously, not the best authority on manifesting the glittery green goulash, perhaps I ought to defer my own lah de dah and concentrate instead on the fact that we are doing a much-needed fundraiser for a good and necessary cause.. Zip
I will do my best, and hope that my people will understand. (Hey waitaminnit, “my people” are the very people most likely to benefit from the very services that we are raising funds for the agency to be able to provide to…hmmm, Oh yeeeahhh…) Ok.
Double Zoom… today is the 22nd of April,and it is Sula’s 108th birthday, She will have her Birthday party on Saturday, we will gather at her little very old “wood house”, on the hill above Neltejburg Bay and sing and laugh and celebrate the love of a young girl, who at one hundred and eight, has maintained her enthusiastic innocence in spite of having seen it all. What an extraordinary gift she is.
Zoom Zoom and Zoom I did three radio shows at three different radio stations for three completely different demographical groups today and another yesterday, each one an interesting host and personalities and conversations and settings
Zoom, yesterday at 8 AM was with a very interesting and energized activist member of our community Ms. Lesly Commisiong, host of her own show on talk radio 1000. We had a great time and may have enlisted her as a potential board member for COAST. She is a great resource for this community and we shall see if time will allow het to join the board.
Now this morning at 9:00 AM the first show was with “Sisi” a real fast talking happy talk rockin’ chick on “HITS 100”, Sisi is a young local rocker of color woman, whose parade of addresses and places lived in the states, reminds me of no one more than my self, we had a great time together, and it was beautiful to watch her interact with the young local college student interning with her. Zam! Next was radio station “WGOD” (really) at the very tippy top of Crown Mountain. Not much to say other than it was the closest thing to Heaven since “Calwin’s Caribilly Bar” and we had great fun (really) with those good folks also. Third was “Zim Zam Zoom” WSTA and “Brownie” always fun, always wonderful. Brownie (and WSTA) have been a primary support for my music and me for over forty-five years. Their kindness is always very much appreciated, and Brownie is one very funny man.
Zoom to Saturday! What a good time we had at Sula’s 108th Brithday party today. Old Island recipe birthday cakes galore, warm wonderful family friendships, the Nisky Congregation out in force, and the power of love in evidence and evident everywhere. And…”Food ke-an done, me bouy wha!”
Zib, Zubb! Tomorrow is the big Concert and I will sing my heart out,. I have prep work to do in the morning so I am going to go to bed… Good night, it’s been a great day! God bless you each and every one!
incidently, I was talking with Tut’s wife Mary last evening while a stateside TV show was “noisifying” in the background. In the story, some awfully self-righteous prosecuting attorney with the most insultingly superior attitude, (supposedly representing “The people” ah…that would be us) was prosecuting a case by harassing and haranguing a Rock and Roll Band’s sound man on the stand, in a most diminishing, disrespectful and demeaning way.
It was crazy! The tv writers seem to think that the viewers will swing right along with them, and co-sign anything. Don’t they know that everybody knows, that any good sound man is worth double his weight in law degrees and ten times his weight in condescending, arrogant and square lawyers? What kind of crazy reverseled up value system are they promoting? How could the producers and networks broadcast such a cockeyed premise? How could the advertisers support it? Gol dang, Sometimes I wonder if the people in TV land think the rest of us out here in the free world, are still back in the 1950’s, or just plain stupid er whut.
On the other hand, it’s a fact that no one would believe the real adventures of “Life In The Bongo Isles” either..I guess you just have to suspend belief…
We did the concert, I’m happy to report that I was in fine voice and our sound preparations were sufficient (the sound man is Marcellus Edwards, Tut’s son who is also the owner operator of ZIP car rentals in St. Thomas) Marcellus is a fine lad, a dread-locked jewish gent of the “Lion Of Judeah” lost tribe school of Hebrish history, and so my friends we see again the grand combinations of flavors in the God Soup of life doen in the Bongo Isles
Marcellus’s Great Grand Mother (on his father’s side) was a full blooded Carib from the reserve in Dominica, but his Great- Great Grand Father (still on his Fater’s side) was a black, black smith from Ethiopia (that’s the lost tribe part, but lost tribe as filtered through and from The New York City penal system’s cauldron of salvatory spirituality. most specifically, the Rikers Island rabbinical school of this that and the next thing, as proselytized and evangelized to and through our very own “Terry The Pirate” AKA “Crossbones” AKA “The Rabbi” The long and short of it all is.. Marcellus is a grand and good fellow, and in large part because of his loving kindness,and skill, the Concert went well
Zoom, Carnival village for one night and then Zoom, back to the states. I’m so Zoomed out I’m downright dizzified.
Book 1. Isla Grande.6
That thing about Rock And Roll that I wrote about earlier, that thing made all the difference. The music moved me. Not just emotionally or in terms of excitement, but it moved me up from a sense of almost complete vulnerability (aka childhood), to a kind of independence.
That was the effect that it had on both of us, both Gale and I. Man, do I love my sister Gale. She was the leader, she led us carefully (or as carefully as an 11 1/2 half-year old girl could) ou of dependent childhood into an wonderneverland of “boppers” the land of “electric Rock And Roll Pan” a land which I inhabit to this day.
God bless that Gale, after our time on our own, (once Mud and Howard had come back into the scene), she decided that we (she and I) would start going to church on Sundays. We did that for a few Sundays..we woild get up early and put on our best clothes, and head out to one or another Catholic Church in Santurce, it was a bit odd I suppose for the regulars to thy and grok what the heck two little dressed up but raggedy white kids were doing coming to their Church all by them selves, but whatever their concerns, they were kind. However, what ever “scent in the air” Gale was following or looking for, it wasn’t there at Church.
Eventually the scent led us to English-speaking Radio Station WHOA and it’s Saturday afternoon “on the air” Elvis Presley Fan Club and “Rock And Roll” dance party. Only the Lord (and Gale) knows how she managed to find the bus fare and then the station, but she did and there we went, on the bus, on our own, away from the snooty rich kids, across Santurce to Rio Piedras and beyond. Our excitement building every parada of the way. Gale had found and followed the scent that led to the great fountain of life, the Fountain Of Youth, only instead of making us younger, it brought us to the immensely joyful spirit of youth eternal, of youth in rebellion, the bottomless pool of timeless energy that empowers and informs and reinforces the impregnable and impervious optimism that transforms a child into timeless youth. We were instantly older and instantly hipper, and ever so much forever more free. The vehicle was Rock And Roll and the casteless, classless collective consciousness that it invited and created everywhere it went. And boy I’ll tell ya, my sister Gale and I were ready. Continued…
Book 4. De Barracks Yad Bay An Beach Club. Book 1. Isla Grande.5 Continued…
De Barracks Yad Bay An Beach Club
It jus so happen dat one day roun de bay dere by de Barracks yad a big truck come an dump out a truck load a san. Wha! Yeh meboy, (I se to meself) now yu talking boy, lemme go lay doun in it. No sooner said dan done an I was de fus man dare.
Boy, ah lay back an cross me leg an crass up me han dem behine me head like ah comtemplating de clouds in de clear blue sky. De nex second, ah jump up ana run back home to de head a pave street for me Muddah towel ana umbrella fo style, den ah grab up a can a sardine, two French bread ana red soda ana fly back to de beautiful new san at wha I kno gon soon be “De Barracks Yad Bay an Beach Club” Yeh meboy, ah se to meself now yu talking now yu talking.
By de time ah reach back, three o fo touris had done fin de spot, but ah tro doun me self right in de middle ah dem, put an me shades ana open me sardine.
Jus den a big hard face man se “Hey Buckra, wha de hell yu tink yu doin, yu can’ see we come tu mix up concrete an cement?” Ah se “wha? Yu crazy? Wha yu commin’ to de beach tu mix up concrete and cement” De man se “Is you is de one who crazy, who de hell tell you dis is a beach, we makin’ a watahfront fo bigtruck cou pass here” Ah se “wha? Is YOU is de one who crazy, look de beautiful blue watah de, look de san here, look de people in de middle. We here in de Barracks Yad waitin’ bocoups an many years plus fo somebody to bring de san fo de beach. Man de people dem been laydin doun in de mud full a crab hole an rock stone an badein’ in de watah wha de bottom fulla broke shell an beer can. De chrirren dem billin san calsel outtah mud an don’ talk abou when de gut runnin and de nightsoil commin’ doun, den dey makin mud pie outta dat!
No man, we waitin’ two hundred years an mo for dis san tu come (an fo somebody to plug up de gut) We ain’ wan no concrete and cement fo de beach, how de people dem gon lay doun on concrete and cement?, why yu wan tu have to jump up wid yu coal pot an yu fry fish and yu mabi an yu blanket an everyting, everytime some schupid muddah skunk ina bigtruck want tu pass. Yu crazy? No man, bring mo san! Dis is de place right here me boy, in fac we should exten de beach all de way from Wes Indian dock to Cha Cha Ta…ah.. ah mean French Toun!
Yu kno de beach belongs to de people dem and dat way every day will be like Christmas Mahnin fo de whole ah Charlotte Amalia me boy. Man sellin fraco an jumbi bead lef an right, woman sellin pate an benye by de poun. Touris frum all ovah de place commin to see de most beautiful town in de wurl, wid de bigges an de bes and de most beautiful beach in de wurl, rite in de middle ait. An de people dem will own de whole ting!. Man ah tell yu bring mo san! Bring mo san!
Book 1. Isla Grande. 5 Continued
In “La Isla Grande”, the upside of the downside, was always the kindness of strangers.
Which is not to say that all strangers were kind, nor to suggest that all kindness came from strangers either, but life has flung us all in a great tumble barrel of circumstance and situation and so sometimes, you just never know.
For example…Howard had a friend from his soldierin’ days, who was himself still in the Army and stationed in Puerto Rico. The friend “Morris” would visit our pad from tine to time. Morris was a great looking, fine and enthusiastic fellow, He had light brown skin that set off his electric “blue green” or “aquamarine” eyes perfectly, and a spirit full of the most wonderful “joi de ve”.
When Morris knocked at the door, all of our spirits would rise. He always brought a bottle for Howard and Mud, and probably slipped them a a few dollars for groceries as well. With Morris, every other word was funny or kind, and he swept through the place like a happy tornado. However, there was one recurring behavior that had a really upsetting and ultimately, saddening effect on me.
For reasons that I still don’t understand, Morris, on his way out the door, would ALWAYS promise that the next time he came he would bring me a bicycle.
It happened that at that particular time there was nothing in the world that I wanted more than a bicycle, and I believed him. And of course, he never brought the bicycle.. Never explained, never apologized, and never varied, “Next time I come, I’m going to bring you a bicycle.”
At the time, It was like some cruel and confusing joke. More recently, I’ve begun to view it as some kind of clinical experiment.
- 1. Promise #1 unkept= deep-dissapointment
- 2. Promise #2 unkept= lesser deep-dissapointment
- 3. Promise #3 unkept= disappointment and wondering
- 4. Promise #4 unkept= self-pity and… what’s wrong why me?
- 5. Promise #5 unkept= anger and wondering what’s wrong with him?
- 6. Promise #6 unkept= wondering and anger, why doesn’t he stop?
- 7. Promise #7 unkept= Confused for life, what the heck did it mean?
Yo no se.
Or as Doc Pomus often said about life, love, and the music business, “s’cwazy Scottie, s’cwazy!”…Continued
Book 4. Continued…Tales of The Second Coming.5 And Book 1. Isla Grande .4
Book 4. Continued…Tales of The Second Coming .5
I am in the muddle of, ah…middle of, preparing for three very important occasions, and the April 15 tax deadline.
First, Sula’s One Hundred and Eighth Birthday, (the 22nd of April).
Second, The release of my new CD “The Virgin Islands Songs, The Musical. In Concert” Containing my new single “Surrender To The Sun” and
Third, A benefit Concert for COAST (The Council On Alcoholism and Drug Dependency, St. Thomas, St John) on April 25th at French Man’s Reef in St. Thomas, and…
yes, I filed online, just in the nickel of dime.
We have completed the production elements of “The Virgin islands Songs, The Musical, In Concert” and are now snaggled up in the manufacturing process.
Shari Brandt, Digitaldave (both from MAAC, the collective that I am involved with here in the states) and I spent much time on the cover last evening and that element looks great. Shari had a photo of a “Golden Sky” that she took in the Virgin Islands.
The photograph is wonderfully representative of lines from “The Virgin Islands Song”
The Virgin.Islands Song
Have you ever been, to a Virgin Island?
If you answer no, come let’s go come let’s go
Have you ever seen what Virgin Islands mean?
If you answer no come let’s go, come let’s go
In this world of gray on gray
I know where the rainbow day
Is born upon the golden sunrise
That scatters the stars turning diamonds to sky
Over Amalie… an emerald in the sea
Her perfumed mystery, bold as love longs to be.
Have you ever seen what Virgin Islands mean?
If you answer no come let’s go, come let’s go
In this world of grey on grey
I know where the rainbow day
Is born upon the golden sunrise
That scatters the stars turning diamonds to sky
Over sisters three… like emeralds in the sea
Their people’s history, bold as love, wild and free.
Have you ever been, to a Virgin Island?
If you answer no, come let’s go come let’s go
Have you ever seen what Virgin Islands mean?
If you answer no come let’s go, come let’s go
If you answer no, come let’s go, come let’s go…
And our upcoming single “Surrender To The Sun”.
Surrender To The Sun
Go down by the sea, surrender to the sun
Find the one you used to be, forget what time has done
Go down by the sea and heal your heart,
Too many memories are tearing you apart
Your eyes show you’re tired so
Of love of lose or win
Old friends know you’ve got to go
And let your heart begin again.
Instrumental
Your eyes show you’re tired so
Of love of lose or win
Old friends know you’ve got to go
And let your heart begin again.
Go down by the sea and heal your heart,
Too many memories are tearing you apart
Go down by the sea, surrender to the sun
Find the one you used to be, forget what time has done
Go down by the sea and heal your heart,
Too many memories are tearing you apart,
They’re tearing you apart…
We need to work quickly as I am scheduled to travel back to St. Thomas on Tuesday the 20th of April, for Sula’s Birthday Party on the 24th and the Benefit Concert at French Mans Reef on the 25th. I would like to have at least fifty copies of the new CD to take along. The CD is a double album so we are actually burning and printing 100 discs to make 50 copies.
The package looks great (Thanks to Shari Brandt of MAAC) the production quality is great (thanks to Digital Dave of MAAC) and the content is interesting and unusual.
(The printing and burning is being done as I write, by John E. a once well-known New York City recording engineer who is also a part of the exciting MAAC collective)
In terms of content, the CD contains what I believe to be a selection of good and appropriate “Virgin Island Songs” (of which there could have been three times as many) poetry, and lots of what we call (down in the Islands) “schupidness” aka (in the USA), as “humor”. I think that folks will find it interesting, amusing, and worth their while.
This is our first co-production with MAAC (The Middletown Area Arts Collective) and this afternoon the media committee is meeting to discuss and create an action plan for getting the product (most especially the single “Surrender To The Sun” to the public. We do believe that there is an audience for this song and this recording of it, and the trick is how to get the recording to its audience. Specifically,
1. How to get exposure for the recording.
2. How to make the recording available to those people who would like to have it
3. How to collect sufficient pennies, nickels, dimes and dollars from sales of the recording to be able to create more recordings…
We think that this recording is close to the perfect one to help us develop and establish a promotion and distribution (and collection?) process that we will be able to utilize for future products.
Of course we have no freakin’ “mowker balowker” (moolah boolah) (At last report it took an investment of $250,000 to get a hit) to pursue the traditional or established promotion and distribution processes. Which includes printing thousands of promotional copies and shipping them to radio stations, hiring an “independent record promotions person” who would “get our release to the top of the pile” hiring a publicist to get us as much “press” as needed, shipping copies to and getting the interest and attention of ”reviewers” inclined to “rave or even rant” about our humble offering, and mounting a “Promotional Tour” to get exposure and support for the release” so, we have to uncover and discover new ways to achieve our goal. Which is in a word,.. ah six words, “To make this record a hit”.
We are certainly interested to hear your ideas and to engage your help in this. Please write to me at scott@lilfishrecords.com with your thoughts, and suggestions. I (and we) thank you very much.
P.S someone is saying “Scott you’ve got to bribe folks! Urging me to offer “half a bag of Hershey’s Kisses as a grand prize” Continued…
Book 1. Isla Grande .4
I walk right up to it and stop and stare almost every day. The house on South Catherine, it was my sister Gale’s home. We were here together loving each other as much as a brother and sister can. What fun we had rambling through the house shouting or mumbling silliness in English, Spanish and Calypso, in and out of yesterday, today and tomorrow. (incidentally, that’s the fun of being a “grown up” you get to shout and laugh and yell as loud and as often as you want to, and turn the music way up high).
Who in the world could have imagined that Gale would have to split? Not to California, not to Florida, but completely. Clean gone outta here, off the Earth…Not here there or anywhere, and not back tomorrow either. Gone gone gone. It’s unbelievable.
So, I walk right up to the house and stop. Almost every day. I just can’t believe she’s gone.
She would have loved “The Virgin Islands Songs, The Musical”, The MAAC Collective (right here in her little town, Middletown,) and her brudder bonehead’s new recording of “Surrender To The Sun”. After all, she was the one. She was the one that first heard the whispers in the wind, that realized a new kind of music was being birthed, one that she and her little brother Bonehead, belonged to, and were born to be part of.
It was the beginning of Rock ‘n’ Roll. Bill Haley and The Comets, Fats Domino, Little Richard, Elvis Presley, The Platters, The Moon glows, The Flamingos, Frankie Lymon and The Teenagers, their music, the idea that their music was OUR music, that spoke, that sang our freedom became our strength, the sweet salve, solace and succor for the soul, that we, that Gale and I, in that time and in our place, so desperately needed. Continued…
Book 1. Isla Grande.3 Continued…and Book 1. Cortijo Y The Symphonic Friction of Silk, Skin and Satin
Book 1. Isla Grande.3 Continued…
It’s difficult for me to write about our time in Puerto Rico, in Condado and our next move, to Ocean Park, because revisiting how I felt in that time and place is completely depressing, and frankly, I have worked long and hard to not feel that way any more. Depressing for me, for Gale, for Mud, for our little brother Larry (who was born during that time and started life sleeping in a drawer) for Howard, and for all of those suffering in poverty and humiliation everywhere.
Puerto Rico wasn’t the problem, Puerto Rico was an entire universe and the universe after all was beautiful. The problem was that we were living in the predictable consequences and painfully pitiful side effects of acute alcoholism, and were ignorant of that fact and further, powerless to do anything about it.
I have been both actively and acutely strung out on alcohol myself and I have been a child in the middle of the chaos of familial alcoholism, and I will tell you that in my experience, being a powerless kid is by far the worse of the two, because there was next to nothing that we could actually do about it. And…Just as alcoholism is a progressive condition, so too is the ever-growing psychological AND physiological malaise you experience as you feel progressively worse and worse about yourself and your ever more pathetic situation.
There were other kids in the building, well, mostly in the big breezy one, more “Yankee/Ricanio” kids who unfortunately tended towards the uppity condescension’s of “Americano/ Castiliano kids” rather than the more proletarian “egual egual” of regular “Ricanio” kids. I could list blow-by-blow, enough humiliations, embarrassments and disappointments to sink a ship, but going through it all Uno by Uno is just too friggin’ depressing and who needs any more of that.
I remember having a fight over something that one of the rich kids in the building said about me or my mother or my sister, or Howard and being too friggin’ weak to win. The boy sat on my scrawny chest holding my wrists taunting me and I was not able to budge the bastard even the slightest bit, it was among the most frustrating and humiliating things that I’ve ever experienced. I wasn’t a namby pamby, and was well used to rough and tumble in St. Thomas, but I was unable to contain my self, and I burst into tears of rage, frustration and humiliation.
Even then tho, I didn’t have the good sense to.. ah..I mean actually giving up was out of the question even then, so when the poor rich kid finally got tired of winning the blasted fight he had to let go and run for his life back into the rich peoples building and safety. Yep.
It’s funny how perfectly well I remember the helplessness that Gale and I felt watching friends laughing with one another, leaving for the movies, the amusement park, or the ball park and not being able to go. In fact, not even invited because they knew, and looked upon us with (God help us) pity, because we wouldn’t have the money to go, because we never had the money to go.
The flippy flappy fluppy flupping of the soles of your shoes and then the worn through cardboard, Gale’s cracked lense, broken and scotch taped glasses.
I remember with great sadness one Sunday morning with nothing whatsoever to eat and mother taking me to a tidal pool on Condado Beach, armed with a safety-pin on a string looking, hoping, to find something, anything to eat for breakfast, and failing completely. The little man that wasn’t, the little hero that couldn’t.
I can only imagine how Mud must have felt.
Life that way, is like living in some debilitating floor to ceiling drone that sucks the spirit, the light, the hope and the joy out of you. Leaving you more and more physically weak, and more and more psychologically vulnerable to insult and humiliation and more and more subject to the seeds of a focus less self-pity, a faceless anger and resentment.
I will mention that among other things we (our little family) got “boils”. Big fire red volcanic God awful biblical curse killer boils, that left you dizzy with pain and shame for days and weeks and when they finally exploded, well, you can imagine that mixture of revulsion and relief.
I got a hernia that went untreated for lack of moolah. Food poisoned by another Castilian Abuelita when her friendly grandson brought me to their house to play, she fed us lunch, and then told me to leave and to go directly home. Within the hour, alone in our apt, I was experiencing the worse sweats, trembling and abdominal pain of my life. I realized that if I knew what was good for me, I wouldn’t be going back to play with her grandson anymore. Gale was sick in bed for many, many, many weeks with TB that went undiagnosed and untreated (years later it was diagnosed by the scarring on her lungs). Both Mud and Howard wound up in the hospital at the same time for a month (she having complications and then a baby, he having Delirium Tremens). Followed by a long stay in the VA, leaving Gale and I to have a grand adventure taking care of ourselves on our own in Puerto Rico at 9 1/2 and 11.
Of course the first thing to go by the wayside was school, (we were going to “La Escuela de Santa Teresita” on Loiza Street at the time and we could never afford the tuition anyway).
My job was to go out every day looking for, rather “hunting and gathering”, Coca-Cola bottles to turn in for deposit and for the pennies thrown away (two at a time) in the cellophane wrapping of cigarette packages. Cigarettes sold for twenty-eight cents a pack in cigarette machines and the two cents change was stuck in the wrapper. With my earnings Gale and I would go to the store and buy sugar and flour. All the ingredients we needed to make our favorite dishes, fried sugar and fried flour cakes.
We would set the table like civilized children and gobble up our dinner as if we were on top of the world.
However, we lived in acute fear that someone would tell the authorities that we were living all by ourselves and we would be caught and sent to…God knows where.
Fortunately, the only adult interventions came in the form of the bright red apples or neatly wrapped sandwiches or containers of Spanish rice that we would occasionally find leaning against the door when we would come back to the apartment from our flour and sugar runs. Continued…
Book 1. Cortijo Y The Symphonic Friction of Silk, Skin and Satin
I recently attended an interesting event in observance of “Virgin Islands/Puerto Rico Friendship Day” a discussion of the impact of Puerto Rican music on the music and culture of the Virgin Islands. For those of you who don’t know much about the music of Puerto Rico, it is as varied as “Trio Los Panchos” is from “Cortojo Y su Combo con Ishmael Rivera” with every kind of Jibaro (Puerto Rican “hillbilly”) thrown in for double good measure.
Afro-Cuban is more well-known in the states, and I have nothing negative to say about “La Muisca de Cuba” but being “all but Borincan” my self I must confess a personal affinity for “La Musica De Puerto Rico”.
I am not on the panel this year, but the influence of La Musica De Puerto Rico on my music and on my excitement with the idea of making music, is very powerful. I am very happy to offer my recording of “El Gringito” as a demonstration of that, it is a classic Jibaro style song and arrangement, and our Guitar based recording (as opposed to the piano based one) of “Surrender To The Sun” as partial confirmation of the fact that we’ve got a serious case of Borenquen in the soul of the Virgin Islands. (That is the great Jeff Medina playing those beautiful guitar lines).
The great Emile Francis of “Milo And The Kings” ( by far the most popular virgin Islands band of the last fifty years, was all but a Ricanio himself, and the band (with many players with familial ties to Puerto Rico) was second only to Cortijo when it came to full blast sizzling hot Mambo and Meringue.
In 1959 and 60 Tuts and Anibal and I were working at a dance hall that doubled as a skating rink or vice versa. “The Carousel”.
Skating was/is great fun, and being a skate boy/bartender at fourteen and fifteen, was certainly the best of both worlds. Leaping and spinning and flying around the rink at speeds exceeding eighty or a hundred miles per hour (I don’t care what the physicists say about the limitations of ball bearings in circa 1960 skates, or resistance of masonite floors, skinny kid legs and the self-limiting properties of all the atoms involved, as conclusive proof that actual speeds were probably no more than one-third of those claimed) we were flying and when you dipped too low and slid too far on a turn, smashing your shinbone into the sharp edge of a door jamb or support pillar, you knew, and everyone else that heard the crash-bang and the screamin’ and cussin’, would agree, that you had to have been doing at least a hundred.
Sweet “styling” for the teenaged girls, and being ever-present and accounted for on the Saturday Night Rock and Roll radio show that originated at the center of the universe, the skating rink, was great great fun.
But when “Cortijo Y Su Combo Con Ishmael Rivera”, was there, and the scratchy forty fives were replaced by the live blasting trumpets and blaring saxophonicas and banging timbales Congas and Bongos, guiro, maracas, clavos, Guitarra, bass and crazy piano along with simply the best of the best singers in Ishmael Rivera, all together “tedando” the hottest mambo in sixty galaxies, and the giant mirror ball (on top of the rum) had the room and everyone in it spinning in eight directions at once, and the mounting scent of the sweat of pure passion and the perfumey fumes rose up to your brain and voodooed into it as tight as a Turkish towel and the sandpaper sound of oh so tightly wrapped and bursting at the seams, silk and satin bottoms frictioning and bumping, rubbing, and sliding one against the next ‘til the place was about to spontaneously combust like a flambo..
All a lusty young lad boy had to do, was solo dance himself out to the middle of the floor where he would find himself transported to heaven. Crushed breathless amongst and betwixt the mambo frenzied bums of five hundred panting, heaving mamacitas. Each cheek and Chica fully charged, and determined to out shake her neighbor… demonstrating for their dance partners and every one else in the world (or rather, anyone that dared to look) exactly who had the hottest haunches and the sweetest salsa pot, and further, exactly how these endowments could be expected to perform as soon as time and place conspired to align and allow them to do what they could do. (what we used to call “de ting”)
And, perhaps most importantly, and paradoxically beyond the immediate promise of things to come, was the clear once and for always illus/demon/stration of what “the poor pendejo who wouldn’t proclaim his love and fling down his life for her, this very night and forever more”, would and could surely count on missing every day and night of the rest of his miserable God forsaken time on Earth.
Many more than one of Uncle Sam’s poor intoxicated swabs found themselves swept up in this divine, elemental maelstrom, missed his boat and was sunk. Other wise good men who have had to answer questions like these ever since, “Son, how could you disgrace the family by getting a dishonorable discharge?” and “Dad, how long did you have to stay in the brig when they said you deserted from the Navy?” and “Dad do you think they’ll ever forget what you did and let you get a good job and move us out of this trailer park?”
I suspect that the concerned family members are quite puzzled when an odd sweet smile followed by a faraway glazed look is the only answer they get.
We of course had our own band that (as soon as we figured out how to play anything beyond “Perfidia” and “Ruby Dooby Doo”) would be just like Cortijo.
Tuts played the trumpet, I was the singing sax man, Anibal, played “an instrument to be named later” and our friend Guillermo who played the conga, was so taken by the excitement that we think he ran off to Old San Juan, where he may have tried a “stick up a mulberia” to get a set of timbales, and is probably still in La Princessa Prison, just outside of Rio Piedras.
Anyway, I don’t think I will raise my hand and try to offer that kind of testimony from the floor this time, but by God when it’s my turn to be invited onto the dias, I will have this and much more to say. Yes indeed,
Book 1. Isla Grande Continued…Book 4. “Tales of The Second Coming” Continues..
Book 1. Isla Grande Continued…
While we were living at “Parada Vente Cinco, Y El Fangio” I was enrolled in “El Colejio de San Juan Bautista”, a fine and upstanding Escuela, wherein not a word of English was spoken..
None, no, nunca, nada, except of course for the odd combo/ patois dialect passing for English, spoken by yours truly.
The experience at San Juan Bautista was after all is said and done, one of the most instructive and educational of my entire academic career, and I would recommend it for anyone. The experience of becoming and being “El Estupido” simply because of language is like becoming the Hunchback of Notre Dame, or Louie the leper over night A most illuminating and ultimately, empathy producing exercise that I think ought to be a required part of every ones education.
While at Parade Vente Cinco, I made a friend, Terry (who lived nearby, but away from El Fangito). Through Terry, I was introduced to “Abuelitas” (a Spanish term for “little Grandmothers”).
My friend Terry’s Mother was “Puerto Ricania” his Father was a state-sider as I recall, but out of the picture at the time… In any case Terry and his Mother were living with his Abuelita, in a beautiful old “Spanish Moroccan” style, mini Hacienda, A very “Castiliano” pad and atmosphere (in those days the “upper class” considered themselves “Castilians” or “Castilianos” pure or semi pure “Spaniards” as opposed to the “lower classes” which were made up of a mixture of Spanish, African, Indios, and, well you name it. All together known as Puerto Ricanios, Boricuas, Borenquenios, as fine a Sangria of humankind as can be found any where on the Earth.
Americans occupied a position in the Castiliano hierarchy below the sub heading of “Vulgar” “Vulgarians” were tolerated more or less in direct relation to the individual’s power or financial status. And God pity the vulgarian who was “poor” “ese no vale nada”, their only redeeming quality was the fact that by their existence, they proved the natural superiority of Castilianos.
Castilianos who were of course, by divine preference, selected by Dios as most appropriate to “discover”, civilize and rule the new world. Ah yes… there had been some mismanagement, setbacks and perhaps even a few mistakes, but as long as “los Castillianos” held true to their superior attitude and ideation, this too would pass, this too would pass. Terry’s Abuelita was one of those.
It was through her intervention in our friendship that I given my first introduction to an interesting new point of view on my natural place and relative worth in the world.
Terry and I were talking about ways to make some money, (actually I suppose, I was the one concerned with making money because he always seemed to have all he needed, while I had none.) One block over from Aveneda Fernandez Juncos, was “Aveneda De Diego” a far more ritzy Aveneda, than Fernandez Juncos, On Aveneda De Diego, was where you would find “El Nilo”, a well-known breakfast and lunch type restaurant with these fabulous giant glazed donuts in the window (that I was dazzled and dizzyfied by but could never afford) always on sale for only “un bejon” a nickel.
Further along Aveneda De Diego, there was an empty lot in which a little traveling carnival set up a few rides. Among them, these great looking little cars that you got into and steered around a wooden track. I wanted more than anything in the world to be able to give them the quarter fare needed, and take my turn around the track. It happened that the day that my dear Mudder dear had sufficient discretionary funds to give her dear little bonehead dear a quarter, was the very day that the little cars had packed up and left. I was very sad and disappointed.
I know that things were worse in the Fangito, that my self-centered materialistic material wants, were wants, not needs and in the grand scheme of things blah, blah, blah. However, the experience of “having not” and “getting not” over and again, brings a sadness to the spirit, and the question of “hey, wot th’ heck, what’s goin’ on?” and” hmm, what the matter with me?”, begins to bubble sweetly beneath the consciousness, silently building to the subtle burp and overt belching of odd and uninvited emotional and cognitive bub-splosions and disturbances from time to time.
There was a big air-conditioned movie theater on Calle De Diego that was advertising and showing a really interesting looking grown up movie “Carmen Jones” starring a really interesting grown up actress, Dorothy Dandridge. The posters outside showed a strikingly beautiful lady of color in the starring role, (which even an eight year old knew was very unusual) I was really intrigued by the posters and knew there was no way that I would be able to pay my way in, so we decided to ask the movie theater man for a job. To our surprise and delight he said something like “sure, I’ll give you un peso each to sweep up and clean out the theater after each show”. With that he took us into the theater, it was enormous, but we got right to work…a sweepin’ and a pickin’ up and a moppin’ and a pickin’ up and a moppin’ and a sweepin’ and a “oh oh” a scrapin’ gum and a god knows what and a sweepin’ and as always, Terry’s Abuelita wanted him home for lunch, which meant that he had to leave before the job was over..Which meant that I had to do it alone, which was no fun, not even a little.
When I saw Terry later, he said that his Abeulita had told him that he couldn’t do that kind of work, that theaters “were filthy and full of spit” and that she said “while I could do it, she wouldn’t allow him to go back there anymore”. When I heard that I wondered why if he couldn’t, I could? While I didn’t quite understand what that meant, I knew it implied something that didn’t “feel” right. Something was wrong and further, it left me cleaning up the whole filthy place all by my self.
Fortunately we moved to Cacique Street before my soul sank completely through the sidewalk and “el estupido” got demoted all the way back to the first grade.
Cacique Street was interesting for a few reasons, One, because we lived in a house completely devoid of any furniture or furnishings (knives, forks, plates) of any kind, what so ever. And Two, because Gale and I had never been so all out blasted and interminably hungry in all our lives. It seems to me that all that Gale and I did on Cacique Street was wait and wait for an adult to bring us something to eat. It was crazy.
The only thing in the house other than our hunger and our suitcases was a radio…Gale and I played it day and night. Not surprisingly, the piece of music that I remember best from Calle Cacique was a bouncy melodic advertisement (in Spanish) for “Fruta Melocoton…..Libbys!” A jingle for Libby’s brand Peaches and Apricots, I’m telling you, it made a deep Impression…to this day “Melocoton” is one of my favorites of lip and lingo.
In a stroke of good fortune, we were unable to pay the rent, and had to move again.
This time to a furnished apartment at 1700 Ashford Avenue, in “El Condado”. Condado was a relatively upscale section of Santurce, that ran parallel to Condado Beach. 1700 Ashford Avenue, was an eight to ten story wonderful Spanish style old world apartment building overlooking the ocean, The coconut trees swaying in the breeze along the silver strand, the morning sun rising up golden and good out of the idyllic blue. It was beautiful.
We lived in a little apartment over the garage behind the main building blocked from the sea breeze and the view, still it beat the flaming heck out of tragico El Fangito and the crazy hungry nights and days of Cacique.,, Continued
Book 4. “Tales of The Second Coming” Continues..
Last evening, Your sixty four year old singer who will not take no for an answer, continued his voyage of discovery in pursuit of his ever elusive audience, up to and into the Capital of the great state of Pennsylvania, Harrisburg. He was accompanied by un congero Puertoriciano que se jama Rafael, a blond Croatian guitarista Goddess that calls her self “Barbie” and a “visually challenged”, well…a blind stick tappin’, ex NYC recording engineer and whiz-bang computer wizzit, John “E”
The object of their objective was a small (but big inside) bookstore and coffee joint called “The Midtown Scholar’ where he would be auditioning via their “Open Mike”, for a coveted one hour slot in their performance schedule which and when, there-upon therein, he would be allowed to put out a tip jar and possibly pass the basket.
We were met at our Capital City objective by the spark plug and leader of the MAAC (Middletown Area Arts Collective), Shari Brandt www.middletownarts.com (Middletown is “The Gritty little City that Glows” ever since Three Mile Island made it the shiniest place on the map) MAAC’s radical new Theater and Media group may be producing “the sixty four year old writer who won’t take no for an answer’s” new mini opus “Three Mile Island, The Whole Truth and Nothing But The Truth, The Musical” we shall see…
Shari was accompanied by her husband handsome Dave and Bob The Train Engineer. All there to provide a kind and much appreciated collective support experience.
Meanwhile, your boy knows more than a little about “passing the basket” being a veteran of Greenwich Village in the sixties and Washington Square Park, in particular. (The best spot was under the arch where a singer could count on a nice echo effect) in fact the very spot in which and where in, he had accidentally discovered that the most astounding, surefire and guaranteed success with a singular “ basket pass” had little to do with the quality of the performance and everything to do with the visual effect of the comely wench making the round of the crowd, basket in hand. Remembering clearly that his most successful basket pass of all time occurred when his wild redheaded earth mama sweetie Annie’s proud young gravity defying pink and ivory breast had found it’s way out of her hippified peasant blouse to astound, electrify and thrill the crowd out of $80.00 (eighty dallah) cash money in Pennies, Nickels, Dimes. Quarters, Dollar bills (even a twenty) and sundry bells, buttons joints and medicinals. (yes, yes, I know, I’ve promised a “G” rated Memwa? but Annie is the Mother and Granny Mother of two of my girls and I think the story may be important and potentially useful for them to reference, when heated discussions arise over their own behaviors and wardrobe choices)
The question tonight here in Harrisburg, will be will these neo-hip folks object if we skip the songs and go directly to having the Croatian Goddess Barbie, flip, or float one out, basket in hand, for a quick killing. We shall see…
The problem turned out to be, that the person your singer needed to impress to get the gig, didn’t bother coming, and nether did the sound guy. So your boy stepped up to the mike, electric guitar in hand and offered up his performance in honor and remembrance of forty-five years of folkies, Earth Mothers, basket houses, bazooms, high falutin’ coffee house waitresses, rainy nights in the village, dark streets flashing reflections of red amber and green, neon lights and pouty lipped girls.
Your sixty-four year old “comeback kid” screeched a splendid and heartfelt medley of Zimmerman tunes artfully scrunched in between the Donovanian epic “Catch The Wind” in a trans Atlantic, sense defying audition tribute to what was, what is, and what will be, this moment, that moment, and forever, etc. Quite something to hear as the vocal mike was live live live and the guitfiddle amp dead dead dead.
Ah well, it certainly wasn’t the first time, nor will it be the last… We arranged a second audition with the decider, and the singer will keep his spirits clean and sober and high high high, because it turns out that for him, life and love and music, is just better that way. Continued…
Book 2. And Book 4. “Surrender To The Sun”
Book 2. And Book 4. “SURRENDER TO THE SUN”
I wrote todays post recently, on the day of the vocal session for the new recording of “Surrender To The Sun” here’s the song and the lyric.
“Surrender To The Sun” (by Scott Fagan and Susan Minsky)
Go down by the sea, surrender to the sun, find the one you used to be, forget what time has done.
Go down by the sea and heal your heart, too many memories, are tearing you apart
Your eyes show, your tired so of love of lose or win, old friends know, you’ve got to go, and let your heart begin again
Istrumental..
Your eyes show, your tired so of love of lose or win, old friends know, you’ve got to go, and let your heart begin again
Go down by the sea, surrender to the sun, find the one you used to be, forget what time has done.
Go down by the sea and heal your heart, too many memories, are tearing you apart, their’re tearing you apart…
It’s a simple, surprisingly beautiful lyric that I wrote while visiting Patty and The Bix in their pad overlooking Hull Bay, in St. Thomas in 1976 We recorded it not long after as the “Theme Song” for a Canadian Film called “Recommendation For Mercy” (The film was about a young Canadian teenage boy, who had been accused and convicted of Murdering his sweetheart, lots of folks felt very strongly that he was innocent and had been railroaded by the authorities. I am happy to report that his conviction was recently set aside, he was declared innocent and released from prison.
(You can find the original recording on youtube or at http://www.lilfishrecords.com) Warren Schatz produced and arranged it, and it was released by RCA as a single with “Many Sunny Places” on the other side.
“Surrender To The Sun” went to become #1 on what was then the #1 station in New York City, however it was never distributed beyond New York, so no one outside of New York ever heard it. It was a beautiful record, and led Sid Bernstien to the verge of singing me to a management deal. Had he done so things might heve been very different. Why no distribution? I don’t know. Why no signing? Yo no se…
Nevertheless the recording did bring about quite a positive change with at least one neighbor of mine, I lived on the NE corner of 76th and West End in those days and there was a fellow living at 76 and Broadway, who had a powerful resentment towards me, having to do with fire hydrants and curbing dogs (his dogs) and other city silliness. I couldn’t walk up 76 street at night ‘cause when I did, inevitably a baggie full of doggie nitro, would come flying down from his 10th floor window, I had some mighty close calls. When “Surrender To The Sun” was #1, he confronted me on the sidewalk one day wanting to know if I was the Scott Fagan on the record. Expecting God knows what, I confessed that I was. He stepped forward and stuck out his hand and said “My name is Bob Brown, and I think that your performance on “Surrender To The Sun” is the first perfect vocal that I’ve ever heard.
I was mighty relieved, Bob turned out to be a great piano player with his own state of the art eight track studio. We did a number of recordings together including the original sessions for “Sandy The Bluenosed Reindeer” (song and story) and a demo (the only recording anywhere) of “Sure Has Been Good Loving You Baby” which you can find here…
Bob Brown was a great and mighty piano player, singer and personality, I hope his is alive and well and rolling in the clover. Hiya Bob!
In any case “Surrender To The Sun” is one of a number of songs that I have written that I don’t believe have had a fair shot at finding their audience, (including “Sure Has Been Good” which I wrote with my partner “The Great Cocacola” Joe Kookoolis. In the 60’s) I have recorded a few of them more than once, in an effort to find their audience.
We recorded “Surrender To The Sun” for “Dreams Should Never Die” (The V.I. Songs Vol ll) as an interesting Latin Calypso arrangement, with a beautiful guitar solo by Jeff Medina. (Worlds champeen guitar from Trinidad by way of St. Thomas) When I wrote the Musical “The Virgin Islands Songs” I realized I wanted to reprise more of what we had captured in the original recording. Interestingly, Jeff Medina and I have been working together on and off since I recorded the original, and put a band together called “ting”(as in Scott Fagan and Ting which has meaning in the islands) because Sid Bernstein was going to sign me and we thought that we would be going on the road to promote the record. Yo no se!
In any case, life, fate, destiny, happenstance, persistence, determination, luck, irony, serendipity, Warren Schatz and God’s good Grace has allowed me another whack at the tune, another chance to record this beautiful song with this beautiful arrangement (and with what I have learned over these long years in spite of my self)
I will give it the very best of my heart and soul for once and for all. I hope to make it one for the ages. Or as they say at the old Sixto Escobar stadium “Un Bataso Largo”
Ok now, the session is over and I have done my vocal, I was in good voice, I sang it with all my heart, it is a beautiful song, beautifully arranged, beautifully played, beautifully produced, and beautifully recorded..now we shall see once again if we can get it to the people, and if we can, if they will embrace it.
I’m fully charged, it was done in one take. We did another as a “safety” and now I feel ready to do at least four, four hour sets for forty thousand people..or carry on from here ‘til dawn.
There is always the question of what to do to come down. This (post performance time) is a dangerous time for singers and musicians, as we have such an intense level of energy, begging to be burned. It used to go to the wenches, but tonight I think I’ll walk it off. I’ll go down by the sea at Lindbergh, and surrender to the cool night breeze and sing to my self up and down the beach until the energy is back to manageable.
We sent the track with the vocals oback to Warren via “You Send” (an online company that allows for the transfer of large music files, fairly quickly) so that he can do the mix. I am anxious to see what he thinks of the work that we have done.
I have a long history with the Wonderschatz, whereas Derrick recorded my voice for the first (but hopefully not the last) time yesterday, Warren has been recording my voice for forty five years. Consequently he is familiar with the instrument and how to mike it (which microphones to use, at what volume, what the bass, mid range and treble concerns and settings ought to be and so on) He started as a recording engineer at Associated Studios on 7th Avenue (above the Metropole) between 48th and 49th streets in New York City, just after I came to New York and started doing demos there in 1964. Many young singers (my self among them) got their early recording experience in demo sessions, doing the vocals for the “latest and greatest” new song from this, that or the next writing team or publishing company. Demo sessions were often stressful and certainly hard work.
You would show up, and there would be a song or two or three that you had never heard before in your life. A collection of professional studio musicians and other, often female, background singers (each one more beautiful and exciting than the next..and all very very good). And you. Often the youngest, and in the beginning at least, certainly the greenest. And above all (yes pun intended) there was the omnipresent tick tock “every moment is money” clock on the wall.
Demo sessions were scheduled for one to two hours at the most. The expectation was that without question, the tracks and vocals were all going to get done within the time allotted. No ifs ands or buhbuhbuhbut’s about it and boy, you don’t want to be the one who is gumming up the works. It was like a crazy musical version of “The Weakest Link”.
“Dear Lord don’t let me forget how this odd melodic change goes in the second release, and have to go back to the islands to explain to one and all why the singin’ fool of a white boy from dung de road is a big fat failure already,”..Or “Dear God don’t let me have to go back and tell Doc that he was wrong about me, that I am just a goofy teenager (with a fondness for drink) from the Islands, who ought to be learning how to whittle coconut trees into toothpicks or free dive Queen Conch sixty at a time, a hundred feet down off hammerhead point” . or “Dear Lord God, what about me poor Mudder”
These and many other things were banging around in my head as I would step into the vocal booth to sing the lead and “make this song a hit!” but I have to confess that there was no more powerful consideration or, immeadiate, heart pounding inspiration for me, than to be singing with the “oh so ultra divine Angeles of the ‘OU WAA”. The background singer girls. I loved them then and I love them now.
Good God awmighty, I just love those girls.
Any way, Warren was the engineer on many of those sessions, and he, like all the rest of us was subject to the tyranny of the tick tock and the idea of the instant elimination of he that faltered. In short, he learned to get it right, quick! (And has been getting it right for forty five years). Those demo sessions were, all things considered, heady, exciting, great fun and above all intensely educational. (Did I mention the beautiful background singer girls?)
Will the Wonderschatz listen and say, “oh poor Scotty, his future is way behind him. They were right, he left his best performance echoing through the catacombs beneath the Pilgrimage Theater in Los Angeles, thirty seven years ago, or, unfortunately I left his best performance in the trash bin, on twenty feet of edited eight track in 1976”. Or might he say “Hmm, the boy has finally learned how to sing a little, s’bout time” or “Too bad he’s finally learned how to sing, but now his instrument’s gone all wavery and quavery all over the place”.
At least I have a comeback prepared for the last possibility. It goes like this, “Oh Yeah? Well If you were sixty four and you tried to sing a song like that, I bet you’d sound all wavery and quavery all over the place too!” The fact is, if all I can do is waver and quaver all over the place, even I would acknowledge that perhaps I really ought to reconsider “whittling as a way of life”.
Ah well, I do hope he likes it, I just have to wait and see…I’ll be looking for his email today And here it is, and..here is what Warren had to say.. “I LOVE this vocal! So heartfelt and special. Boy!!! You still got it son!”
Sheesh!! What a relief! God bless the Wonderschatz. And now the work begins. We have to accomplish something that we have never been able to do before, and that is to get a Scott Fagan recording to its audience. How to do it? How to do it? We will have to work on that next.
Book 1. Isla Grande…
Book 1. Isla Grande…
Fleeing like banditos from “Bills” (not Wild Bill Hickock or Billy The Kid nor a gang of other such Billy bad boys, which would have made much more sense to me,) we got into what seemed like a paper Mache “Piper” plane, and skeedaddled bouncily down the runway to rise shakily up up ah..down up down down up up down up into the air. (Good Godawmighty, just thinking about it, I get the leapin’ skeebewillers), Between skeebees and willers, I thought “what the heck are we doing” “what the heck are they thinking?”, this is crazy…
We were leaving St. Thomas, Howard’s home, and a place that Gale and Mud and I loved, to go to Puerto Rico, because we “couldn’t pay our bills?” what kind of crazy craziness is that?
If Mud had only known…
We were leaping one and all, body and soul, out of the frying pan and into the fuego, to make a new start. What were they thinking…
In retrospect, but only because in addition to being a pretty good screechist and yowlist, I am a UCLA trained and certified Drug and Alcoholism Counselor, (I got that training in order to design and implement a recovery program for the music business, but that’s another story) I understand fairly well what they were thinking.
Howard (Mud’s fourth Husband) was seeking what is known as a “geographical cure”, that is when an alcoholic or drug addict thinks/hopes/imagines that changing his or her geographical location will solve their problems, not realizing that their problem/s is their addiction to alcohol or their drug/drugs, and the predictable symptoms and side-effects of that addiction, across all the life areas. Capeche?
More than likely, Mud was “feeling”, more than thinking, and what she was feeling, more than likely, goes something like this…her father had committed suicide when she and her twin sister were nine, “if only she and her sister and her mother had done more, had tried harder”…Howard was her fourth attempt at marriage and she was only twenty nine years old, He was a charming, cultured, fun and educated twenty eight year old, she was determined to be a good wife. She was determined to save both her husband and her marriage, if humanly possible.
Of course they had absolutely no real insight into or understanding of their ever progressing alcoholism, other than the propaganda that the alcohol industry had successfully brainwashed everyone into beliving, which was that “drinking too much” (addiction to alcohol or alcoholism), while a bad habit, was essentially a question of will power, of strength of character. (If you had no strength of character, or will power, well… thats on you)
So off we went, the blind leading the blind, deeper into the darkening night.
The Piper was being piloted by “Mr. Gray” Mud’s boss at V.I. Corp (The Virgin Islands Corporation – a government funded development and management company) Mr. Gray was (in those days) “an American Negro”, nowadays, an “African American” meaning, he was a person of color, from the states, as opposed to being an “I-lan Man”, or more contemporarily, an “Afro Caribbean American” or “Afro Decendent Person”. Whatever the descriptor, he was a kind and accomplished, fairly young man. Mr. or “Major” Gray was also a Jet Pilot in the National Guard.
It was 1954, Mr. Gray was thoroughly interesting and was seen as a real star on the rise. Tragically, a few years later, long before reaching his full potential, he would disappear while on a National Guard training flight, crashing with his jet, into the sea off Puerto Rico.
Our bumpity little flight that day, over the same waters, still remains my least favorite flight ever. The capper was when we were descending over San Juan harbor down towards the runway at “Isla Grande” and the engine seemed to cut off (in reality, Mr. Gray had simply “throttled back”) and I (more of those blasted words with a mind of their own) involuntarily (but at volume) squeaked to my everlasting humiliation, a pinched but heart felt “He.. He… HELP!” right over his shoulder and into the microphone and the ears of the air traffic controllers down below…Ah well.
It’s a lonesome thing to think that one is the only surviving member of our crowded little crew in that crowded little piper cabin that day, and perhaps odd too, that even after all these years, one would still be so embarrassed at the outburst.
We went directly from Isla Grande (the airport) to a very charming old world style hotel in Old San Juan called “The Plaza” where we stayed for approximately one week. Gale and I had the greatest fun running around exploring the streets of Old San Juan together. Old San Juan, is an extraordinarily beautiful, colorful, charming and picturesque little city of narrow cobblestone streets built in the fifteen and sixteen hundreds, with the architecture, and ambiance of Old Espana herself.
Add to that “La Forteleza” the grand and beautiful stone and rubble masonry Spanish Fort built to protect the city from the likes of “El Draco” (Sir Francis Drake…of the recently referenced Drakes Passage in the Virgin Islands) and other English, Dutch or French military invaders and Privateers, along with the predations of the “barbarous brotherhood of the boucan” the cockamie collection of Irish, African, English Dutch Scotch German, Welsh and everyone else, ner-do-wells known as “Los Hijos de La Gran P*tas, los Pirates! Ay con**yo!
Needless to say, with the charm of the old hotel, and the past and the present, always present, Gale and I loved living in old San Juan.
We thought we were in heaven.
Unfortunately, it only lasted a week. Our next move put us in the closest possible proximity to what was then the biggest swampiest, stinkiest, most disease riddled slum, in Latin America, “El Fangito”. We were now domiciled at “Parada Vente Cinco, y Aveneda de Fernandez Juncos”in Santurce. and all of the grace and charm of old San Juan vanished like the dark when you flip on the bathroom light. Ay con**yo!
For the first time in our lives, Gale and I saw children feeding them selves out of garbage cans. Wandering the streets with filthy dirty faces, and open running sores. Girls and boys, no socks, no shoes, often no clothing, just a raggedy shirt, pinned at the bottom or nothing at all, and feeding themselves, hand to mouth, out of the stinking, filthy, maggot riven garbage cans, up and down the avenue.
To say that we were shocked and disturbed would be a serious understatement. It was incomprehensible to us that people would allow this, we couldn’t understand it. My first conscious thought was “If the people in America knew about this, they’d stop it right away, they’d help these children and their families, and then, I thought, they must not know, or they’d never let it go on, and then…I’ve got to tell them about it, And then… I don’t know what to do. Within days I had started trying to write my first song hoping and believing that somehow, it would make a difference.
Gale and I had missed many a meal our selves, gone to bed and gotten up hungry many times over the past two year or three years. We knew what it was to be hungry, and to do without. In addition, we had been up close to extreme poverty in places like Barracks Yard and Buck Hole in St. Thomas, but that was no where near this intensity, this severity and this scale. Our pad was on the second floor, immediately next to and over looking El Fangito, the chaotic ramshackle tin and cardboard shacks went on and on as far as the eye could see. Soweto had nothing on El Fangito, except perhaps Soweto had less all consuming, everpresent, stinking, sucking, … mud.
While I was grateful that we were not smack-dab in the middle of it, I also realized that now, the only thing keeping us out of there, was Mother’s series of always iffy secretarial jobs.
Howard was “sick in bed” with a recurrence of Malaria or, a Mala-Alco combo condition, the only cure for which seemed to be shots of Don Q. For a while, it was sort of my job to stay with and look after him. Gale had started back to school, Mother was at work and I was doing my part.
I was a “good boy” and I felt as if I was doing something important and helpful for him and the family, nevertheless, it was scary and unnerving as Howard slid easily in and out of delirium and it wasn’t always clear to me when he was in and when he was out.
At the same time I suspect Howard felt some responsibility for instructing and engaging the lad (me) in which ever ways he could, and so in his malarial delirium, sitting in the physical and psychological “stink cloud” that hung over “El Fangito”, he took it upon himself to teach me the game of Chess.
God Bless Howard, I think he meant well with the Chess and the effort to engage, but I quickly discovered that I was not temperamentally suited to a game in which one sits for hours on end staring at a Chess board projecting ones opponents next move, and then thinking about ones own next move and then… and, to tell you the truth, I don’t know that Howard was either.
The games consisted of stretches of the longest, craziest, hot humid tedium imaginable, interrupted now and then by a seemingly nonsensical flurry of activity, that would almost always arrive at Howard staring across the board at me with his burning electric fevered yellow eyes, and shouting excitedly, Ok Ok Ok! You got me, then with the most grandiloquent sweeping flourishes knocking his King over and exclaiming, I Concede, I Concede! And then…Ok, Ok, Ok, you win, but gimme a chance to get even, set ‘im up and let’s play again.
It’s just a good thing that Howard never offered to share his rum with me during Chess, or I surely would have started drinking alcoholically at eight, rather than at thirteen.
During one such “Malariac” relapse we were outside the kitchen on a sort of rooftop patio when I decided to go climbing over the side and down to a “boxed in” concrete alley below, I was a good climber and clambered around until I got to the deepest part of the down below, and there I seemed stuck. Even the lowest concrete walls down there were now too high for me to pull my self back up on, it seemed there was no way out.
Howard suggested tieing some sheets together, and lowering them down for me to grab onto, the idea was that he would grab the other end and pull me two stories up, back to the patio. I looked at the concrete all around me, the fifty feet wall up to where Howard stood, and thought about his trembling walk and his shaky, shaky hands and fevered condition, and declined to do it.
It was the first time that I had overruled the direction or instruction of an adult, particularly a parent, and I felt very ashamed of my self. I was giving him the impression that I was afraid, and that I didn’t trust him to do his part, but the truth is I was, and I didn’t.
The thought that I would be dragged up against the rough concrete wall for ten, twenty, thirty or even forty feet and then have to let go, or be dropped to the concrete below, seemed horrible and extremely likely to me. And while I could see that he was hurt and disappointed and I felt terrible about it, I felt even worse about the prospect of being foolish enough to try it and then coming back down that wall at speed.
The truth is I don’t think he had the strength to do it and I’ve never really regretted not going forward with it, I only regretted that he had made an offer that I had refused.
I was eventually able to scramble up and out on my own, but I think it came between us. Another situation from which I came away feeling the deepest shame occurred one night when Mud, Gale, Howard and I were at the dinner table, Howard was up and out of bed and seemed to be getting better, we were talking about what I wanted to be when I grew up. I said I was going to be a cowboy. Howard said “that’s great, I’ll come with you and we can be cowboys together”, and before thinking, I said “but you can’t Cha Cha Man, (our nickname for him) “there aren’t any colored cowboys”. It was like I had shot him, and I felt instantly that I had said something unforgivable, that I had hurt him terribly, I hadn’t meant to, and I had no idea what to do or say next.. So I said I’m sorry Howard, I’m sorry, he caught him self and laughed it off saying “that’s all right, I’ll be your cook” which made it even worse.
Had we known he might have said “Oh Yeah? What about Bill Dogget?” or The Buffalo Soldiers? or any number of others”, but because it was 1954 and whites had written the history of the west, we didn’t know. I felt so very bad for him, and I was so ashamed… Continued…
Book 4. Words Are Music…
Book 4. Words Are Music…
I am more than a little careful (or try to be) with my words. Apparently, far more careful with my words than I am with what I use my words to actually say. Sort of like a painter whose little “pointillios” (what ever the heck that word means,-I’m making believe it refers to little pointed daubs of paint, that all together make up a little part, maybe a very little part of a pitchure ah..picture) In my example the pointillios are perfect, but the picture it’s self may be vulgar, ill-advised or estupido in the extreme.
And so, because I’ve been told (more than once) that I’m capable of that, and I suspect that it may be true that I am capable of that, I have to be careful of that.
Aside from the fact that I think that words are music, they also have meaning and beyond that, sometimes maybe even, a mind of their own. I don’t know about your words, but from time to time, one or more of my words, have (in spite of locked lips and a screeching no, no, fer God’s sake no! from the brain), have slid down the nostril slide and out on to the upper lip or moustache, and then leapt from there, out into the air, Sounding for all the world to hear, exactly as if they had been intentionally spoken.
Those are words with a “mind of their own”, but just try to explain that to someone who my “self-directed” provocative words have just stimulated to the verge of imminent and eye popping violence.
In addition, I s’pose I ought to let you know that I’ve already had the shocking experience of kicking my own bottom, butt or bum, with my own boot, thereby stimulating that timeless question “jeeze-ka-weezel, wot’ n why th’ heck, did I do that? In other words, I’ve had the opportunity to inventory by own actions to the point that, well you’d think I’d know better by now.
But, but, but…
I do get off-balance (unbalanced?) when the meanings of a word or words are misconstrangled, or words are used to mislead intentionally or even (as often happens,) unintentionally.
Now you might think that I’m about to launch into a rant about the lying “rat wings” of our established, corporate sponsored so-called political parties and their polluted propaganda and propagandists, and perhaps I ought to be doing just that, except I believe that less of that sort of thing, would be more of a better thing, all around.
My concern is more personal, and has to do with one of the unfortunate and unexpected side effects of being a singer, which is that one is then subject to all sorts of stupid jive from all sorts of people for all sorts of reasons.
For example, here are some excerpted things about yours truly, (me)that a writer in Toronto recently presented in an article about my son Stephin Merritt.
“Fagan was a folksinger in the ’60s folk revival, then a singer-songwriter with enough cachet that Jasper Johns did a painting of one of his records, then wrote an anti-music-industry rock musical in 1970-71 and, he claims, was blacklisted from the biz. He then retreated home to the Virgin Islands, where he had grown up, and has stayed there doing music in a sort of Jimmy Buffet vein ever since”
The writer goes on to say “He (meaning me) and his mom were abandoned by his own musician father.
And “You can debate the legitimacy/ickiness of Fagan’s blue-eyed-Caribbean style as much as you like”, He (meaning me again) “is this sorta white-rasta guy who sings in dialect”, “and who (me again) happened to leave you (meaning Stephin) and your hippie mom to fend for yourselves”
Friends, so much of that is so far from truth, that it is pure (well not pure, more like toxic) fiction and it hurts my feelings. Why? Because the idea that someone would present information as factual with out caring to check the truth of it, is disheartening, depressing, and upsetting Why? Because we all work long and hard at becoming who we are, and, at not becoming who and what we are not. To be so easily misrepresented leaves one with the feeling that our hard work, behavior and ethical choices didn’t and don’t matter a whit.
When someone presents themselves as knowledgeable enough about me to write about me, I think the first question ought to be “when and where did they meet” and “how long have they known each other?” other wise I think the writer ought to begin by saying “Hey, I don’t really know Scaddy Waddy Doodles, or anything about him, I’m just going to pretend I do, so my editor and readers will think that I’m important and worldly and hoop, hup, hap, hup ahh…hep hoop, ah..well, anyway, know stuff.
I’m just going to be building on second or third hand (or worse) information, and extrapolate jive crap across cultures that I don’t know or understand.
That way, us naive “true believers” will know right off the bat that the writer is making it up, in fact, maybe even making it up on top of the making it up that someone else did before, and we will know not to take it seriously, not to believe a word that is said (unless of course they claim to be sorry, but working with words with a mind of their own, in which case I for one will understand perfectly).
It’s sort of like when (oh oh here we go) someone presents them selves as sufficiently knowledgeable about music and the music business, to present themselves as an “expert” a knowledgeable and reliable insider. I think the first questions then ought to be “when can we hear your music?” How many tunes have you written? How many publishers have there been, How many tunes have been recorded? How many record deals have you had, How many producers have you worked with?. Or, how many decades have you been in the business, at exactly what positions, when where what, and so forth
Because with out their own honest to God experience inside the music business, the writers knowledge is most likely consumer level misinformation, and not to be taken seriously. (You do know that we are talking about “show “:business, and that folks that are not really part of the gritty backstage world are seeing a show, right? And that while music critics, disc jockeys (and DJ’s) and other so called “in” crowd people may get a “Backstage Pass” to make them “feel” important, they aren’t really privy to what is really going on behind the scenes, right? You do know that right?)
It’s like a tourist sailing through the Islands on the Disney Princess and then presenting them selves as expert on West Indian culture and race relations. Or a guy in Toronto assuming that the confused political correctness of contemporary Canada, is reflected in the cultural realities, racial identies, and racial and musical melting pot of the Caribbean. It’s obviously silly, never the less, it can be upsetting.
What are the real requirements to be a knowledgeable and expert writer about the clash and conflict between art and the crassest commerce? Between artists and those who are in the business of exploiting them and their art?.
You know something? I think I’m just realizing for the first time, that that is exactly what these “critics” and self important self proclaimed expert music business writers are doing. They aren’t in the business of creating music, they are in the business of exploiting music, and the people that make music.. They don’t have to know a blasted thing about artists or the music business really, they just have to convince an editor that they do, or in the case of blogs, they just have to convince themselves that they do.
I am naïve, and the small example, is just a small example. But what does one do if the self proclaimed are spreading misinformation about one, and one is the one in question?, (that is one good question) Perhaps one ought to consult an astrologer or self proclaimed expert on public relations on this, but then what are the requirements, or the qualifications to be an astrologer or expert on relations with the self proclaimed experts on anything?
I confess that from while time to time I may have a slippy grip on the silken strand (or is it a rubber band) of consensual reality, never the less, I am still four square in the game. I guess that’s just another reason why there’s no business like show business!
PS. If we are able, we sing a Spanish song in Spanish, a French song in French, we sing a song that’s in English, in English, and we sing a Calypso song in Calypso, if we are able.